The Texas electronic scene continues to find its heartbeat in artists who value substance over spectacle. One of them is Jacob Cody, the DJ and co-founder of the Krunchy Collective , also known as SoImThatOneGuy . This year at Breakaway Dallas , he’ll bring that community-first ethos to the festival’s Silent Disco, transforming the intimate space into a showcase for underground collaboration and sound system culture. His appearance marks a milestone in a journey defined by steady growth and personal discipline - one that now stretches beyond the local circuit toward a nationwide vision. By prioritizing collective experience over individual ego, SoImThatOneGuy is helping build something designed to last forever.  Who Exactly Is SoImThatOneGuy? Photo Courtesy of Jacob Cody Long before he was shaping sound for dance floors, Jacob Cody’s musical foundation formed in school ensembles. He started on the deep, rhythmic tuba in middle school and later sang in the choir. These early experiences solidified a lifelong commitment to the craft, where his mindset eventually grew into a disciplined approach to music. “Being in a group setting helped me learn the ebb and flow,” he explains. “Being a consumer and avid music lover for most of my life has created a deep respect for the industry. I have watched, learned, and listened to thousands of hours of amazing live music and DJ sets, which have informed my approach to building my performances. Feeling the energy dipping or rising and giving people the chance to move and groove, rest and reset, but also give them a proper party is a delicate balance that I try not to take lightly.” Outside of music, Jacob grounds himself in simple joys: being a devoted Corgi Dad, practicing kendama, and cooking. But the quiet backbone of his recent growth has been four years of sobriety.  Photo Courtesy of Jacob Cody “Showing up every day, honestly and authentically, has opened up so many doors for me,” SoImThatOneGuy shares. “It has helped me pull myself out of a state of distractions and setbacks. With a clear mind and solid foundation at home, I can think more clearly about my future and what I want for the Krunchy Collective and myself.” How Krunchy Collective Is Supporting Emerging Artists The Krunchy Collective is on a mission to disrupt the standard festival cycle by championing the underserved producers and DJs who often fly under the mainstream radar. By prioritizing community over competition, the collective creates an environment where emerging talent can thrive, replacing the “same lineups year after year” with fresh sound system experiences. For SoImThatOneGuy, success is finding these hidden artists and providing them the platform they deserve.  “The biggest mission of Krunchy Collective is to give the community a space to break free from the normal routines of life: to showcase sound, dance, laugh, and meet new friends,” Jacob explains. “We are all about underground, big-sound, sexy laser beams, and good vibes!”  Looking ahead, Jacob hopes to take that grassroots energy nationwide. The ambition is to bridge the gap between talented producers and the audiences waiting to discover them. By focusing on the artists who haven’t yet reached the spotlight, the collective aims to prove that a killer party needs the strength of the community and sound quality, rather than the size of the name. “There are thousands of amazing, talented producers hidden across the country,” Jacob adds. “If we can give even a fraction of them the spotlight to show people what they have, then we have done our job.” Photo Courtesy of Jacob Cody Breakaway Dallas’s Silent Disco offers a stark contrast to the chaos of the main stage. In this environment, where music is delivered to headphones, the rewards for crisp mixing and intentional storytelling are amplified. For an artist who studies every piece of the musical puzzle, the setting is a natural fit. It provides an opportunity to connect with listeners in a space that is simultaneously shared and deeply individualized. And his upcoming Silent Disco appearance is a preview of the immersive sound system experiences he aims to scale nationally with the Krunchy Collective.  “My foundation is sound system music and bass notes that go right through your body,” Jacob explains. “Getting the opportunity to try something new in front of a different community is a great way to rehearse and give new listeners a unique experience. This set will be unlike anything I've done so far. We will be going on a journey through sound, hitting multiple genres and giving people a taste of many different styles of dubstep!” Guided by the mantra to “Keep Creating”, SoImThatOneGuy urges fellow artists to find purpose in the act of making, regardless of the scale. This growth mindset is deeply embedded in his life, rooted in the belief that any vision is attainable if one is willing to endure the necessary sacrifices.  “I heard a quote once that said: ‘There is no success without sacrifice, and if you aren't willing to downgrade your life for one year for a lifetime of opportunity, you aren't ready.’” Jacob says. “That is something I have replayed in my head time and time again. As for the future I'm building, I know for a fact it's going to be an adventure that keeps being fun, loud, and extra krunchy! I couldn't do it without the support of my friends, team, and my Krunchy family. I owe it all to them!” Photo Courtesy of Jacob Cody While the flash of the Main Stage often captures the headlines, it’s the quiet builders who shape the longevity of a scene. Jacob’s journey from middle school tuba player to a driving force behind the Krunchy Collective shows how discipline, community, and persistence can grow something far bigger than a single set.  And as SoImThatOneGuy steps into the Breakaway Dallas Silent Disco, you will hear a movement continuing to take shape: one bassline, one connection, and one community at a time. Be sure to check his set out at the Silent Disco , and don’t forget to follow his music and socials !

From the roar of the Bronco Bowl in the late ‘90s to the glow of a silent disco headset in 2026, SAAD ’s journey through the Texas electronic scene has come full circle. After stepping away from the decks to pursue college and a professional career, SAAD  is now experiencing a powerful resurgence. More than two decades after first discovering the scene’s energy, SAAD’s return reflects a renewed passion for Progressive and Melodic House and a commitment to the PLUR values that helped shape Dallas’ early underground culture.  That revival has already gained momentum with standout performances at DallasFest  and Swirled Peace in Bishop Arts. Now, it reaches a major milestone as SAAD joins the lineup for Breakaway Dallas , where he’ll deliver his signature melodic sound at the festival’s Silent Disco. We caught up with him to talk about his return to the scene, the evolution of his sound, and the vision he’s building within the Texas EDM community.  Photo Courtesy of SAAD EDM Texas: SAAD, what has this return felt like for you personally, and how has coming back to the scene with more life experience changed the way you approach the music and the moment?  SAAD: It has been a lot of fun. My return actually started when I moved to Princeton, Texas. I was getting bored, so I decided to buy equipment again. A few months later, I played my first show back. The scene has grown significantly since I was last involved, and I approach it now with a more diverse perspective. Different promoters and venues request different genres, though I primarily focus on Progressive and Melodic House. The Dallas scene has expanded a lot as well, and I’m currently working on starting a progressive show here soon! EDM Texas: Since stepping back into the scene, you’ve played DallasFest at Vice Park and most recently Swirled Peace in Bishop Arts. What does it mean to feel the scene welcoming you in a bigger way? SAAD: I absolutely love it when someone in the audience comes up after a set and says, “Great set!” It’s the best feeling. I don’t get nervous when I mix, so I can really enjoy the moment and connect with the crowd.  Progressive and melodic house are known for their cinematic emotional arcs. Long builds, layered melodies, and euphoric drops that unfold with patience and precision. For SAAD, that musical storytelling began long before he stepped behind decks. Growing up, he played euphonium in band, an instrument that demands a strong understanding of melody, harmony, and structure. These foundations continue to shape how he constructs his sets today.   EDM Texas: How do those early musical roots shape the way you construct your sets today, and do you see any parallels between the gradual progression in your sound and the arc of your own journey back into the scene?   SAAD: I have always loved good classical music. I remember buying the Jurassic Park soundtrack when I was a kid. I love music with multiple instruments, a great melody, and dramatic build-ups/breakdowns. Also, I like to go to shows at the Dallas Symphony Orchestra from time to time. EDM Texas: By day, you’re a sales professional in technology and education, and by night, you’re building something creative and community-driven in progressive house. How does that professional discipline influence the way you approach branding, networking, and building your own collective here in Dallas? SAAD: Being a sales professional has actually been very helpful. Several shows I’ve played at have ticket sales requirements, and that’s never been an issue for me since I’ve been making cold calls for more than ten years. Ultimately, SAAD’s story shows that passion for music never truly disappears. It simply waits for the right moment to resonate again. In a genre often obsessed with the “next big thing”, his journey is a reminder that longevity comes from staying true to your roots while evolving with the craft.  Now, as he prepares to take the stage at Breakaway Dallas, SAAD is stepping into a new chapter that connects past and present. For longtime fans of progressive sounds, and those discovering it for the first time, the Silent Disco may be the perfect place to tune into the frequency he’s been building toward for more than two decades.  Don’t miss the chance to catch SAAD at Breakaway Dallas  and experience his return to the decks firsthand.

Against the shimmering backdrop of Biscayne Bay, the EPIC Hotel pool deck transforms into a sensory playground of sound and sunlight. But beneath the glamour lies something far more important: the engine that drives the global electronic industry. From March 24-26, 2026, the Winter Music Conference (WMC) returns to Miami with an expanded program designed to bridge the gap between the performance and the business behind the beat. Through the high-energy Beatport Live series and a packed schedule of panels and workshops, WMC becomes the place where artists, executives, and creators gather to shape the future of electronic music.  For the Texas electronic scene, it serves as a scouting ground and a powerful networking catalyst. Whether you are an artist in Austin or a promoter in Dallas, WMC represents the space where ideas collide, and careers accelerate on a global scale. By bringing together the industry’s most forward-thinking innovators, the conference continues to solidify its status as a must-attend destination, for those shaping the sounds of tomorrow.  Why WMC Matters Photo Courtesy of JSloane Creative Before Ultra Music Festival blasts off and the satellite parties take over South Beach, the Winter Music Conference quietly lays the intellectual and cultural foundation for the entire week. Long regarded as a premier intersection of music, technology, and business, WMC remains one of the industry’s most important annual gatherings. For 2026, the conference has evolved to keep pace with the industry’s rapid speed with a streamlined two-track format designed to serve the full electronic ecosystem: WMC // INDUSTRY  and WMC // CREATORS . This dual-path approach ensures that whether you are a label head navigating distribution or a producer mastering audio, the programming curates your specific trajectory.   For the Texas electronic community, this expansion is particularly significant. As the Lone Star State’s scene continues to explode, WMC provides the essential bridge to the global market. For emerging artists, it’s a place where discovery happens quickly. Sometimes a single conversation on the EPIC deck can lead to a career-defining signing. For promoters and venue operators, the WMC // INDUSTRY track offers a front-row seat to the latest safety, ticketing, and immersive tech trends that are reshaping nightlife. For creators and media, it’s a rare opportunity to get hands-on with next-gen gear and engage in high-level discourse that informs the stories we tell back home. Attending WMC ensures Texas has a seat at the table where the future of dance music is being shaped.  Winter Music Conference 2026 Programming Expansion & Speaker Power The 2026 edition of Winter Music Conference signals a shift from passive observation to active participation. It is a high-level summit where the architects of the scene dissect the mechanics of their craft. The speaker roster reads like a cross-section of the underground and the mainstream, featuring boundary-pushing artists such as Sara Landry , Radio Slave , DJ Minx , Junior Sanchez , OOKAY , and more.  These artists’ voices balance heavy-hitting industry leadership. Representatives from SoundCloud , StubHub , Dirtybird , Ultra Records , mau5trap , TikTok SoundOn , Interscope , AFEM , and Beatport  will be on-site to network and lead conversations about the infrastructure powering the modern music economy.  The newly added panels are curated to move past surface-level “fluff”, and focus instead on the strategic challenges and opportunities facing the modern professional. Themes range from technology and innovation to career strategy to cultural sustainability. Topics discussed include navigating AI ethics, scaling a music brand, treating your career as a business, mental health and longevity in dance music, and more. The depth of these topics proves that WMC remains the industry’s strategic headquarters. By addressing the “real consequences” of AI and the “startup” nature of modern artistry, the conference acknowledges that staying relevant in 2026 requires more than a good year. It requires a business mind and a tech-forward toolkit. For the Texas professional, these panels offer the pathway for building a brand that survives the hype cycle and thrives in the long term.  Beatport Live Pool Series As the sun dips toward the horizon, the focus shifts to the EPIC Pool Deck . Produced in partnership with L-Acoustics , AlphaTheta , and FEVER , the Beatport Live x WMC Pool Series  is a curated showcase of global label power and cutting-edge performance tech. Overlooking the expanse of Biscayne Bay, the 2026 lineup offers a masterclass in cross-generational programming.  On Tuesday, March 24th, label founders Manda Moor  and Sirus Hood  set the tone alongside the legendary DJ Sneak , Jean Pierre , and Ms. Mada , blending Chicago house roots with modern European flair to kick off the series. The next day features a historic marathon with Detroit royalty DJ Minx B2B Radio Slave , the iconic Danny Tenaglia , and deep-house architects Doc Martin  and Tal Fussman . Finally, on Thursday, March 26th, a heavyweight collision led by Jamie Jones  and Lee Foss  bridges the gap between underground groove and global arena-sized impact.  The true differentiator of the 2026 series is the deployment of L-Acoustics Immersive   DJ Technology , a revolution in how music stages itself. Utilizing a proprietary audio engine, the system allows DJs to separate tracks into individual elements. Drums, bass, and vocals move through a real time third-dimensional sound field. For the artist, it requires no disruption to the workflow. For the audience, it creates a “holographic” audio environment. This futuristic DJ technology is the plan for the next decade of performance.  Winter Music Conference 2026 Workshops & Real Access While the pool deck offers the week’s sensory peak, the hotel’s interior suites house the conference’s true competitive advantage: applied learning. WMC 2026 has traded generic “success stories” for high-intensity, skill-based workshops designed to give artists and industry pros a tangible toolkit they can take home.  The 2026 workshop slate focuses on the modern artist’s diversified portfolio. SoundOn, powered by TikTok, is a  deep dive into algorithmic storytelling and how to turn a 15-second clip into a global streaming powerhouse. Zen and the Art of DJing  focuses on the mental stamina and physical performance techniques required for longevity in touring. Event Masters is a logistical breakdown of large-scale production, from permitting to immersive lighting design. AI Without Losing Your Sound  provides practical applications of generative tools that enhance workflow without sacrificing creative soul. Careers in Scoring explores the lucrative world of sync licensing for film, gaming, and television.  For many, the most high-stakes “real access” point is the Label Radar A&R Pop-Up Lounge . In an industry where cold demos rarely break through, WMC provides a rare opportunity for direct interaction with decision-makers. The pop-up lounge is where the gatekeepers reside, looking for the next sound to define their catalogs. Participating labels include Ultra Records & Spinnin’ Records, two global dance powerhouses; Dirtybird , the kings of acid tech-house grooves; and Balance Music & Create Music Group  (leaders in distribution). In fact, Texas artist Raddix  is already signed with Create Music Group. This shows that Texas producers and industry folks alike can find their big break at the Winter Music Conference.  Various Texas artists and industry leaders are traveling to Miami  in less than a month to expand their reach and absorb global insights to bring back to the clubs and festivals of the Lone Star State. This cross-pollination is how we ensure our local scene doesn’t just survive but leads. It’s a reminder that the evolution of dance culture is a collaborative effort, and the voices from Texas are essential to that conversation. We highly encourage considering a trip down to Miami Music Week  to be present in those rooms. The future of electronic music is being drafted this month at the Winter Music Conference, and Texas belongs in that room.

On a humid New Orleans night where brass bands usually rule the streets, a different rhythm began cutting through the air. Only this time, it was faster, darker, and more relentless. Stemmily , born and raised in South Louisiana, became the city’s first female Drum & Bass producer, carving space in a genre and a culture that had yet to make room for her. Now based in Denver, she continues expanding across North America as a DJ, producer, and curator. As she prepares to bring that pressure to the Breakaway Dallas  Silent Disco, her story represents what underground leadership can look like. Photo Credit: Taylor Castillo Before stepping fully into drum and bass, she founded Revel Scum , a collective designed to spotlight women who deserved top-tier billing but rarely received it. What began as an intention evolved into an aligned infrastructure. By consistently showing up to open decks in New Orleans, she earned the attention of NOLADNB . Eventually, she became a core member, helping shape the crew’s modern direction. Through curated events and consistent presence, she helped solidify drum and bass as a lasting fixture in the city’s underground. Her persistence eventually led her to become New Orleans’ first female drum-and-bass producer.  “Producing was simply the next step in my evolution,” she says. “It was not calculated. It was growth. I am honored by that and hope it inspires other women to leap into production.” Photo Credit: Glassy Eye Musically, Stemmily operates more like a storyteller than a traditional selector. Her original tracks: “ Incantation ”, “ Temptation ”, and “ Seduction ” lean into ritualistic energy, atmospheric tension, and cinematic pacing. Instead of chasing predictable drops, she builds pressure gradually, allowing emotion to release with intention. Every mix, visual, and release exists within a larger creative arc.  “Music is the medium I use to express myself, and everything I release is part of a larger story,” she explains. “It’s hard for me to fully express myself in words, so music and art in general give me another language. That is why my music feels cinematic and narrative-driven. There is intention behind it, and joy in revealing each new layer. And I am not done yet. There is still so much more to unfold.” Photo Credit: Taylor Castillo In 2025, momentum accelerated. Competition wins at Babestock  and Electric Love   Music Festival , and a pivotal live contest at Sounders  in Dallas, marked a turning point. Those victories translated into festival stages at  Fête Du Void ,  Luna Fête , Sound Camp , and Electric Love in British Columbia. She has supported artists like Blossom , Mary Droppinz , and YOOKiE while commanding rooms from Pensacola to Canada. Dallas, however, became a particularly defining chapter.  Originally in Dallas for her career outside of music, she returned to the familiar grind of open decks. The same foundation shaped her in New Orleans. The response was immediate. She was nominated for Dallas’ Best DNB DJs and found some of her most receptive crowds in the Lone Star State.  “L earning to play in larger rooms forced me to step up, trust myself, and refine how I move a room,” Stemmily says. “Playing everywhere from Pensacola to British Columbia showed me that my sound translates beyond one scene. When you play in multiple cities, you stop chasing what one market wants and start discovering what actually makes you unique. That shift changed how I approach my career. I am thinking bigger, longer-term, and more intentionally about what I am building.” Photo Courtesy of Stemmily At the core of Stemmily’s career is community architecture. From Revel Scum to her leadership role with Babestock  - the only all-FLINTA+ electronic festival in the U.S, her focus has never been about individual spotlight, but sustainability.  “ Community is everything to me,” she shares. “Speaking up for women and believing women has always been important to me, and it always will be. I am honored to have the platform I do, and I hope I can use it to inspire more women to step into DJing, production, and mentorship so this scene can become more welcoming and more collaborative. I am deeply grateful for the mentors I have now, but it took many difficult years to find them. I want artists to have room to grow, take risks, and build real careers rather than chase the next show. When I think about the future of drum and bass and underground culture, I want it to still value artistry, originality, and real connection over trends and algorithms. I want it to protect its roots while still making room for new voices. If I do my job right, what I leave behind will not just be a list of events or releases. It will be a stronger ecosystem, one where the next generation has more opportunity, more support, and more freedom to create than the generation before them.” Photo Courtesy of Stemmily At Breakaway Dallas’ Silent Disco, Stemmily’s sound will glisten in a listener’s ear. Crisp percussion. Sub-heavy basslines. A layered atmosphere. The intention is to allow the tension to feel personal. Expect high-energy rollers balanced with darker, melodic cuts, and original productions woven into the arc.  “ I am excited to bring that new energy to Dallas and share this next chapter with a city I love so much!” she says. “It feels like coming back with something to say, not just something to play.” Stemmily’s journey proves something simple but powerful: when the industry doesn’t make room for you, you build the structure yourself and make it stronger for the people coming next. Dive into her latest chapters on Spotify  and SoundCloud , and don’t miss the chance to experience her set in person at Breakaway Dallas .

In the heart of Houston's relentless electronic music scene, a new synergy is forming. And it’s a deliberate shift toward community. Three distinct forces - Side Quest Society, Houston DJ Collective , and Hollywood’s Touch  have woven their unique strengths together to create a sanctuary for both seasoned ravers and aspiring artists.  Photo Credit: Side Quest Dispatch These collectives drafted the blueprint in May 2025. Side Quest Society, known for its immersive “PLURR” (Peace, Love, Unity, Respect, Responsibility) ethos, teamed up with the Houston DJ Collective to launch Prismatic Fever . Hosted at Midtown's Unicorn Disco , this monthly house-and-techno residency quickly evolved into something bigger. By autumn, the momentum became a movement. The duo became a trio when Hollywood’s Touch , a rising entertainment brand, joined the fold. Together, they scaled their efforts by integrating canned food and toy drives into November and December shows, and eventually launching Lord of the Decks. This open decks circuit migrated from Kings  in EaDo to Raven Tower  in the Heights, and then to Styx + Stones.  As they cycle venues, they also launched the Horoscope SZN series to give standout open-deck performers a professional spotlight. As I spoke with members of these collectives, a recurring theme emerged: the impact on the individuals who pass through their events. Many people have shared that they got their first DJ set, had their first open-decks experience, or became more involved in the scene thanks to these platforms. I’ve heard stories of DJs who started at open-decks and are now regularly booked across the city. The horizon is expanding further. With the EDM Prosperity Network preparing to launch a Houston chapter, these collectives serve as a bridge between local passion and industry-standard education, planning monthly informative events to professionalize the craft.  Behind the music and themed nights lies a deeper layer of planning and communication. I sat down with the founders to discuss their journey working together, and how collaboration, trust, and inclusivity have guided their approach. EDM Texas: What have you learned about collaboration that surprised you after working closely with other Houston EDM collectives? Houston DJ Collective: One of the most surprising lessons has been the importance of setting clear requirements and expectations from the start with collaborating partners. Without that foundation, collaborations can easily become one-sided, or the overall vision can become unclear due to different interpretations. Establishing shared guidelines early on helps ensure the event remains focused, successful, and ultimately beneficial for everyone involved.   EDM Texas: How do recurring events like Lord of the Decks help build confidence in emerging DJs? Hollywood’s Touch:  For us, it's not necessarily the recurring events themselves, but the inclusive, community-driven environment behind them. We've learned that providing a welcoming, safe, and genuinely friendly space makes the biggest difference. When DJs and attendees feel supported and respected, they're more confident about showing up, performing, and continuing to grow, especially in a city with many events to choose from on any given night. EDM Texas: In nightlife, competition is common. What allowed trust to form between your organizations? Side Quest Society:  It came down to letting actions speak louder than words. We had open conversations early on about expectations and shared visions, quickly realizing we aligned in many ways. What really built trust, though, was consistently showing up and following through for one another. Open communication and honest feedback have helped strengthened that bond, and we’ve created a space where everyone genuinely supports each other wherever support is needed.   EDM Texas: How do you want future DJs or promoters to view what you're building right now? “As a collective, we want to lead by example. Our goal is to show future DJs and promoters that success doesn't have to come from drama or competition-driven conflict. It's possible to grow while supporting one another and maintaining professionalism. We’ve found that staying true to our values, following through on our work, and treating both artists and attendees with respect naturally brings people toward our events and helps build stronger dance floors and a healthier community overall.”  - Houston DJ Collective, Hollywood’s Touch, Side Quest Society As these three collectives continue to reshape the landscape, it’s clear that Houston’s EDM pulse is stronger than ever. Through open decks, themed showcases, and community-driven initiatives, these collaborations are building something big. Keep your eyes on the booths… the next generation of Houston sound is just getting started.

On any given Wednesday in Texas, bass hums through brick walls and spills into the street. An aspiring DJ leans over a mixer for the first time at open decks. A flow artist traces a slow arc of light by the stage. This ritual happens every week.  Across Dallas, Austin, and Houston, weekly EDM events rely on repetition to keep the culture breathing. They train new artists. They build trust. These nights form the backbone of Texas EDM.  Why Weekly EDM Events Matter In Texas Open decks, local showcases, and genre-specific residencies give emerging DJs a low-stakes path to sharpen transitions, test edits, and earn crowd trust. A ten-minute open-deck slot may feel small, but ten minutes under club speakers can make or break a career. Unlike one-off concerts built around a single headliner, weekly nights prioritize accessibility. Entry rarely costs more than a few bucks. From DJs and flow artists to vendors, bartenders, and event promoters, these individuals hold the structure together. And these 12 events survive because people choose them, again and again.   Dallas Dallas DJam at The Green Elephant Photo Credit: Free Man Foto While festivals come and go with the seasons, Dallas DJam  has remained a constant at The Green Elephant , as it is the longest-running weekly EDM event in the city. For 15 years, it has served as a sanctuary every Wednesday for underground music, flow arts, and a rotating cast of local vendors, and even monthly fire performances that elevate the energy. Reflecting on the DJam’s deep roots and emotional legacy, longtime resident DJ Sam Samuelson  notes its longevity’s commitment to the groove.  “It warms my heart to see an event that I’ve helped produce weekly for 15 years be so high on the board. If you don’t know us, please stop by sometime, and check out Dallas’s longest running Wednesday night and groove with our underground vibes!” Top Notch Tuesdays at Select Start Arcade Photo Credit: Carlie Harkins/RCKSTDY Community builds faster when people feel free to play. Top Notch Tuesdays  at Select Start Arcade  is an epic weekly meetup that blends the nostalgia of arcade and console gaming with a rotating roster of DJs. It breaks the “dark club” mold in favor of a vibrant, multi-sensory experience. Top Notch was built by Ari Disraeli solely to give local DJs an opportunity to play outside their bedrooms or at house parties. This inclusive, low-pressure environment proves that the best way to build community trust is through a round of Skeeball or Guitar Hero. “Top Notch has been running EDM Tuesdays in Dallas for over nine years,” Ari says. “We also do different themes every week to keep it interesting so be sure to come check it out sometime!” Wub Wednesdays at Shot Topic Photo Credit: Talafotos Rounding out the midweek energy is Wub Wednesdays  at Shot Topic , a dedicated sanctuary for the city’s bass-centric community. Nestled in Deep Ellum and hosted by Ari Disraeli, Shot Topic’s emo-themed aesthetic provides a gritty backdrop for a night focused on low-end frequencies and heavy drops. This “midweek release” offers a dedicated space to headbang without waiting for the weekend. Sunset Sessions at Green Light Social Photo Credit: Austin Tran To round out the week, Sunset Sessions at Green Light Social  lifts the energy. The weekly sessions transform a scenic rooftop into a community hub filled with golden-hour grooves and driving club energy. Hosted by Next Level , Sunset Sessions spans a marathon 4 PM to 2 AM window, predominantly curated with house music but punctuated by the occasional high-energy drum & bass sessions on some Saturdays.  Motion Mondays at Franklins Tattoo & Supply Adding a unique, grit-and-ink flavor to the start of the week, Motion Mondays  at Franklin's Tattoo & Supply breaks the traditional club mold by rooting itself in a truly alternative community space. Hosted bi-weekly by Sounds from Below, this event is a pure expression of the “open deck” philosophy, with the booth open to the community all night long. Tattoos, piercings, and local vendors coexist with a flow-friendly floor. By focusing on raw talent and cultural lifestyle, Motion Mondays exemplifies how unconventional venues can become the strongest incubators for scene trust and creative experimentation.   “We’re bringing people together, one wub at a time!” Sounds from Below founder, Jacob Gonzalez, says. “With open decks on almost every show, anybody has a chance to share the stage with us. We’re focused on building the underground and keeping it alive!” Creative Alley Nights at Sounders Photo Credit: Manny Gaona Aguilar In the heart of Dallas’ Design District, Creative Alley Nights  at Sounders  serves as a vital midweek junction for the Dallas EDM community every Wednesday. This night bridges the gap between networking and performance, inviting artists, dancers, and creators to shop from local vendors and meet like-minded peers in a high-production environment. For the aspiring DJ, the stakes are tangible: the event features an “open deck” format where bringing your USB could lead to more than a practice set. Standout performers have a chance to win an opening slot at one of the Sounders weekend shows. By offering a direct pipeline to the main stage, Creative Alley Nights reinforces the scene’s commitment to discovering and elevating the next generation of Texas talent.  Austin Wobble Wednesdays at Voodoo Room Photo Credit: Xavier Anthony Expanding the circuit beyond the 214 area code, Wobble Wednesdays at the Voodoo Room  keeps Austin’s bass community centered. These Wednesday gatherings bridge the gap between local talent and touring acts by blending playful, wubby energy with the occasional headliner. It’s a space where the “wobble” is the language of choice. By maintaining a consistent home for the bass-heads, Wobble Wednesdays provide a reliable, high-energy sanctuary where the community knows they can always find their tribe.  Widdim Wednesdays at TOATS Photo Credit: Art By ATX (Eddie B) Rounding off the Wednesday “bass-off” with a specific focus on the heavier, choppier side of bass music, Widdim Wednesdays at TOATS  bring the high-energy chaos of riddim to a bi-weekly format. Hosted by The Gremlin , these Wednesday nights cater to a fiercely welcoming crowd that thrives on riddim’s sharp pit-ready drops. By carving out a dedicated space for the genre, Widdim Wednesdays holds immense power in community-led curation. The energy is raw, the connections are real, and it’s a home for those who want to find their home in the most wild corners of the pit.  “It’s great to see the underground scene come together in the middle of the week to have fun and throw down,” The Gremlin says. “I’m beyond grateful to have been given such a tremendous opportunity to help smaller artists grow!” DNB Tuesdays at Pop Champagne Bar Adding a high-energy alternative to the midweek landscape, DNB Tuesdays at Pop Champagne Bar  stands as a pillar of the Central Texas underground. Hosted by CatalystDNB , this weekly residency provides a critical “home base” for the 160+ BPM community. By maintaining a consistent weekly presence on Austin’s iconic 6th Street, CatalystDNB has fostered a resilient culture that prioritizes technical skill and high-energy selection. They continue to ensure that the rhythms of the UK-born sound have a permanent voice in the heart of Texas.   EDM Prosperity (Monthly Meetings at the Oven) While the nightlife circuit provides the “play”, EDM Prosperity  shifts the focus from the dance floor to development. Meeting monthly at The Oven , this gathering connects DJs, promoters, and creatives who want long-term careers. From workshops to shared conversational lectures, this is a wonderful group to get involved with to elevate both your career and personal life!  Houston Lord of the Decks at Raven Tower Photo Credit: Side Quest Society Lord of the Decks  at Raven Tower  keeps Houston’s booth open. Hosted by Houston DJ Collective , this residency keeps the booth open all night, allowing emerging talent to showcase their skills against a backdrop of stunning skyline views. Lord of the Decks is a playground for cultural expression, featuring fire-flow-friendly spaces, a dedicated kandi station for traders, and enough room to move.  BCD Thursdays at Behind Closed Doors In Downtown Houston, BCD Thursdays at Behind Closed Doors offers a multi-layered exploration of the city’s house music landscape. Hosted by the Casa Projects collective, this weekly residency transforms the venue’s speakeasy-style layout into a dual-stage experience, with DJs taking over both the futuristic downstairs main room and the intimate “Red Room” upstairs. By focusing on regional talent and collaborative vibes, BCD Thursdays creates a sense of discovery and community.  The commercial side of EDM continues to chase bigger stages and higher ticket prices. Meanwhile, weekly EDM events in Texas move toward consistency, accessibility, and community. As these weekly nights continue to build the culture, the identity of Texas EDM is forming from a mix of small rooms, rooftops, tattoo shops, arcades, and more creative spaces. Now, it’s only a matter of time until weekly becomes daily.

Shaquille O’Neal is bringing the third and largest edition of SHAQ’s Bass All-Stars Festival  back to Panther Island Pavilion in Fort Worth. Performing as DJ Diesel, O’Neal will transform the waterfront venue into his electrified “home court”, complete with jaw-dropping art installations, a towering Ferris wheel, and fully upgraded production. This year’s festival promises to prove that the NBA legend refuses to stop leveling up the experience for the community that embraced him, turning bass music into an extravaganza that only SHAQ can deliver.  Photo Credit: SHAQ's Bass All Stars SHAQ’s Bass All-Stars will return to Texas with a fully reimagined festival experience. The first two editions drew more than 30,000 fans, a turnout so overwhelming that Disco Presents is expanding the entire festival footprint. Attendees can now expect extended stage structures, cutting-edge visual effects, and immersive environments that will transform Panther Island Pavilion into a vibrant, high-energy playground. Every detail, from interactive art installations to the Ferris wheel and upgraded staging, responds to the surging enthusiasm of the bass music community. It’s the ultimate must-visit spring destination.  A highlight returning this year is “ The Trenches ”, the fan-favorite 360-degree stage. Artists perform in the center of a swirling vortex of sound, drawing fans directly into the heart of the energy. DJ Diesel guarantees that every drop and build-up will feel larger than life. “Everything’s bigger in Texas - so this year we are making SHAQ’s Bass All Stars our biggest festival yet,” he said.  Raising the stakes with a genre-bending surprise is none other than a special bass set from T-Pain . Known for his boundary-pushing artistry and longtime appreciation for electronic music, T-Pain's inclusion adds an unexpected edge to the roster, reinforcing SHAQ's Bass All-Stars as a festival unafraid to blur genre lines and elevate bass culture in new ways. Photo Credit: SHAQ's Bass All Stars This year’s lineup reflects a dedication to celebrating the full spectrum of bass music. Levity B2B Wooli  promises an unforgettable fusion of melodic and hard-hitting bass. At the same time, Jessica Audiffred will bring technical precision and a commanding stage presence. GorillaT  and DRINKURWATER  will also bring high-energy performances that keep fans on their feet.  The Trenches   stage spotlights emerging talent and offers a raw space for experimental sound. Big Florida and Whales will push the boundaries of bass music as usual; TYNAN  will deliver precise, innovative drops; and CELO b2b Neotek  will channel collaborative energy to energize the crowd. By placing rising stars alongside established acts, SHAQ’s Bass All Stars invests in the long-term vitality of bass culture.  Photo Credit: SHAQ's Bass All Stars Shaquille O’Neal’s path to bass music evangelist began in 2014 at TomorrowWorld , but his passion for DJing dates back to childhood. After earning his first set of turntables and building a hip-hop legacy with platinum and gold albums, O’Neal channeled that same competitive spirit into EDM. DJ Diesel quickly became a full-fledged musical pursuit that has taken him to Tomorrowland , Lollapalooza , and other major international festivals. Critics, including Rolling Stone  and Variety , praise O’Neal for genuinely embracing and uplifting the bass music culture . For Shaq, the mission is simple: give back to the community that inspired him and push the genre forward on a grand stage.   Fans won’t want to miss the spectacle that fuses Shaq’s larger-than-life presence with bass music. Buy your tickets here .

REZZ ’s As The Pendulum Swings  tour landed in Houston with surgical precision and power. From front to back, 713 Music Hall  packed the floor: bodies moving in unison, bass rattling the walls, and energy surging from open to close. As The Pendulum Swings  felt fully immersive, intentionally designed, and relentlessly powerful.  Photo Credit: Jonathan Cyga As The Pendulum Swings  production alone set the tone. Hypnotic visuals pulsed across massive screens as crushing low-end frequencies rolled through the room, wrapping the crowd in love and sound. Every element, from the lights to visual pacing, felt deliberate and pulled the audience deeper into the experience with each track. LUMASI  opened the night with a slower, downtempo set that eased the room into motion. His playful, atmospheric sound paired seamlessly with dreamy visuals filled with fluid motion and abstract textures, creating a warm, inviting entry point for the evening. BLANKE  followed by steadily cranking up the intensity, delivering high-impact bass and sharp, dynamic visuals that pushed the energy forward. His set bridged the gap perfectly, building momentum and preparing the crowd for what was to come. At the center of the night was REZZ’s As The Pendulum Concept  - a darker, more cinematic evolution of her sound. Drawing from industrial textures, French electro, and moody techno, the project explores themes of balance, tension, and emotional contrast. The crowd felt these ideas. Massive audiovisual production, hypnotic lighting, and meticulously synchronized visuals transformed the performance into a fully realized world. REZZ’s signature goggles, paired with the enveloping stage design, blurred the line between concert and experience.  Photo Credit: Jonathan Cyga What stood out most was the unity among the artists. Everyone’s visuals were distinctly tailored to their sonic identity. Yet, the progression from LUMASI’s atmospheric dreamscapes to BLANKE’s high-energy intensity, and finally to REZZ’s dark, mesmerizing universe, felt smooth. The pacing was thoughtful, the transitions were natural, and REZZ expertly curated the journey from start to finish.  Beyond the stage, 713 Music Hall delivered flawless execution. Entry flow was smooth, the space remained comfortable despite a packed house, and the venue’s layout allowed the crowd to move freely. Clean facilities, efficient bar service, and an attentive staff elevated the overall experience - major love to the entire 713 crew for keeping the night running.  As The Pendulum Swings  in Houston was a night driven by precision, atmosphere, and emotional weight. Until next time, Houston.

On April 10-11, 2026, Breakaway Music Festival  will storm back into Fair Park  as the ignition switch for the brand’s most ambitious year to date. After a record-breaking 2025 season that earned Breakaway the Dallas Observer ’s “Best Festival in Dallas” title , the city has secured a prestigious new honor: the first stop on a massive 14-city national tour. Now, Texas will get the first look at Breakaway’s expanded production, sharpened vision, and a redefined Breakaway Dallas experience.  Photo Credit: Breakaway Dallas Dallas sits right in the middle of Breakaway’s momentum. Following a 2025 edition that shattered expectations with its atmosphere and attendance, the city has evolved from a mere tour stop into the brand’s backbone. “The response from fans in 2025 exceeded every expectation and proved that Dallas is quickly becoming one of Breakaway’s strongest communities,” says Breakaway co-founder Zach Ruben. “Fair Park delivered an unforgettable backdrop, and we’re ready to level up the entire Breakaway experience in 2026 with expanded production, new surprises, and more.” The 2026 roster balances international boss power and the raw energy of the Texas community. Headliners like FISHER and Eli Brown  will anchor the weekend with their sunny tech house melodies and dark-driving industrial techno. Joining are the musically adventurous duo, Sofi Tukker , who will bring a vivid “jungle pop”, HUGEL , the Marseille-born pioneer of Latin House, and many more.   Breakaway Dallas 2026 Lineup However, Breakaway’s true ethos lies in its commitment to the local ecosystem. By placing Dallas-based artists like Zircaz  and P Plum  on the primary billing, the festival bridges the gap between DFW producers and global superstars. For local favorite P Plum, opening a national tour at home is a career milestone.  “Breakaway is the perfect festival for this city,” she says. “I’m grateful to play a role in something so special. There’s nothing like helping launch the tour at home, surrounded by the people who have supported me from the beginning.” Beyond the speakers, Breakaway Dallas will transform into a multi-sensory playground featuring curated brand activations and recharge zones. The CELSIUS  oasis will offer a high-energy sanctuary to refuel with sparkling refreshments. Powered by Jimmy John ’s, the fan-favorite Silent Disco will also return with upgraded tech and curated local lineups. And for those seeking an elevated vantage point, Breakaway’s premium tiers: VIP, Ultimate VIP, and the tiered space deck will offer plush lounges, dedicated bars, and unobstructed sightlines over the crowd.  As Breakaway expands into new territories like Houston and Salt Lake City, Dallas retains the crown as the tour’s symbolic engine. As the city musically grows and evolves in exciting ways, this launch validates a local scene that has been long ready for the global spotlight.  “Dallas is home to some of the most innovative and powerful talents in today’s music scene,” P Plum› adds. “I feel Dallas’s EDM scene is growing and evolving in exciting ways. There’s a genuine passion here, and the crowds bring incredible energy every time. There’s also a strong sense of community, artists and fans supporting each other and pushing things forward together. Something real is happening here, and festivals like Breakaway are finally giving it the stage it deserves.” Join us at Breakaway Dallas as we kick off the year’s most anticipated electronic circuit. Secure your tickets now !

After a breakthrough year defined by high-impact bookings and a rare signing to Germany’s BlackBox Digital , one Texas artist has begun rewriting the rules of American Hard Dance. A former metal-core vocalist who traded mosh pits for production software, The Hunter now balances a corporate 9-to-5 with late-night production sessions and a passionate side quest as an “advent Pokémon collector.” Now, the hardstyle evangelist has a plan to build a more sustainable future for harder styles in the United States.  Photo Credit: HLR Photography A signature on a BlackBox   Digital  contract shifted The Hunter’s ambitions from regional momentum to global discovery. As the sister label to Gearbox Digital , one of the most influential names in European Hard Dance, BlackBox  operates as the genre’s highest tier. For a producer rooted in San Antonio, this deal carried weight beyond distribution. It demanded sharper discipline, cleaner execution, and an understanding that every release now spoke for Texas hardstyle as a whole. “After getting signed, I spent a lot of long nights in the studio working on my true sound,” The Hunter says. “Thinking to myself, being from Texas, we have the motto, ‘ Everything is bigger in Texas ’, thus creating raw, intense drops with huge sing-along melodies. This set my mindset to be the best I can be and push myself even harder.” That sharpened focus found real-world confirmation at Hardstyle in the Park in Chicago. On a summer afternoon, the Hardstyle Chicago Family transformed a public park into a shared refuge for hardstyle lovers, and The Hunter had an opportunity of a lifetime to perform. This nationwide network made him see a coast-to-coast community taking shape.  “ When I found out I would be playing at Hardstyle in the Park in Chicago, I felt nothing but pure joy,” The Hunter recalls. “My friend, Bad Grizz , and I created their first-ever anthem for the event that was released on Blackbox . It was the day before, when I was touring downtown, that I felt the city’s energy. The vibes at the event were great. We had people near the stage dancing, but also sitting out in the sun playing games, grilling, and, overall, hanging out and listening to a genre that hasn’t hit the US as it has overseas. It felt like a mini Defqon 1 !” Photo Credit: Kylewild That sense of shared responsibility fuels HexDrive Audio . Founded in San Antonio, this label operates less like a business and more like a collective built on trust. In an industry where artists routinely surrender 30 to 50 percent of their earnings, HexDrive  offers a rare alternative: a 100 percent royalty model that removes profit extraction from the equation entirely. By stripping away traditional royalty models, HexDrive creates space for creative risk and long-term growth, particularly for U.S.-based hard dance producers fighting for visibility in a European-dominated scene.  “Being a hard dance artist from the US is a challenge,” The Hunter says. “I started HexDrive to have not just hard dance artists grow, but to let them release their creative side as much as possible. It’s about being yourself and expressing that through music. My goal is to find pioneers to see the vision and build it together.” Long before mastering the digital wizardry of hard dance, The Hunter learned energy in a high school metal-core band. Those early years taught him how aggression moves. When dubstep surged into the mainstream, the weight of Caspa  and the Firepower Records  roster recalibrated his ears, steering him toward heavier electronic forms. That path eventually led to Belgian hardstyle pioneer Coone .  “It was the melodies that pulled me in first,” The Hunter says. “Being a vocalist gave me some of my best high school memories, playing live shows at the White Rabbit . But once a buddy showed me hardstyle, I was hooked. The first time I played a hardstyle set and saw how the crowd reacted to the drops and melodies, it unlocked a kind of happiness I never expected.”  Photo Credit: HLR Photography Texas hard dance survives on grit, not hype. In a digital landscape crowded with manufactured drama and fleeting clout, The Hunter’s philosophy favors longevity over noise. His approach reflects a scene that values humility, consistency, and mutual respect. “Just stay true to you and your music,” he says. “If someone hates your sound, that’s your biggest fan watching closely. What matters is how you handle it. Brush it off, keep going, and you’ll grow past it. Clout chasers become one-hit wonders. Real artists play the long game.” As HexDrive  and The Hunter grow, they promise to shelter a new wave of artists who value integrity as much as impact, proving that the harder styles in America are here to stay.  Follow The Hunter’s journey and stay connected with the HexDrive  revolution: SPOTIFY SOUNDCLOUD INSTAGRAM TIKTOK WEBSITE

For over a decade, Lights All Night (LAN)  has stood as the crown jewel of Texas’s New Year’s Eve circuit. It is a closing ceremony for the electronic music calendar and a glowing invitation for ravers to step into a brand-new year as one. The 2025 edition elevated the legacy with upgraded production, immersive art installations, thoughtful community-oriented activities, and one of the strongest line-ups Dallas has seen in years. As a long-time attendee and a reporter for the EDM community, I experienced both nights from the heart of the crowd. It was a journey through a living, breathing ecosystem of light.  Photo Credit: Lights All Night Lights All Night 2025 Day 1 The first day of Lights All Night 2025 set the tone with a seamless entry. Security was efficient, respectful, and provided a welcoming energy into the festival. Once inside, the atmosphere was electric. Attendees arrived draped in LED accessories and fresh glitter, their collective intention clear: to dance away the final days of the year. My first destination was the main stage, The Metroplex , where techno powerhouse Sara Landry  was already in total command. It was my first time seeing the “High Priestess of Hard Techno” live, and she exceeded every expectation. Her set was a whirlwind of pulsing, hypnotic rhythms - clean but gritty in all the right places. As an opener, she lit the fuse for the entire festival. Beyond the stages, Lights All Night transformed Dallas Market Hall into an interactive playground. The “Light Hallway”, a glowing tunnel of shifting hues, became a portal for transit, while LED seesaws became attendees’ favorites. There were other various playful props designed for sitting or serving as catalysts for spontaneous human connection.  Lights All Night also placed a heavy emphasis on community wellness. The End Overdose  booth stood out as a highlight, offering free Narcan training and a sanctuary for those needing a breather. This commitment safely added a layer of responsibility and compassion to the festival environment. Nearby, the Light Strike  tent offered a literal glow-up, providing coconut-water-based cocktails and complimentary glitter services. I took advantage of the service and walked back into the crowd, sparkling. I closed the evening at the Watering Hole  for Lucas DiLeo , who delivered one of the most unified sets of the weekend. His ability to read the room and fuel the energy with precision is phenomenal. There was a unique thrill in watching Lucas guide the crowd effortlessly before heading back to the Metroplex  for Mau P . His smooth, melodic house curation was the perfect “final chapter” for Day 1, leaving me energized yet protective, saving some fuel for the New Year’s Eve countdown upon us. Photo Credit: Lights All Night Lights All Night 2025 Day 2 Day 2 of Lights All Night 2025 was a completely different animal in the best way. The crowd had doubled in size and creativity. The fashion gave NYE aesthetic vibes: metallic fabrics, themed makeup, and intricate clothing designs that belong on a runway. The night’s first explosion came from  Crankdat . His set gave off a sensory eruption in the best way possible. With laser arrays firing in every direction and at least 15 active lasers at once, the visuals were perfectly synced to Crankdat’s drops. It was polished, unhinged, and emotionally charged. Between sets, I visited the vendor village to see Sick Beets . Their booth has become a staple for Texas ravers, offering rave apparel, accessories, and custom designs that feel more like “wearable art” than traditional festival merch. It served as a gathering point for creatives, ravers, artists, and the fashion-forward crowd to admire the craftsmanship of our community. The beauty of Lights All Night is the “stumble-upon” discovery. I wandered into Grabbitz ’s set with no expectations and left a fan. His energy was infectious, and his connection with the audience was incredibly authentic. Singing his own tracks live, he brought a raw, vocal vulnerability that is often missing from major festivals. For the midnight countdown, I found myself on the rails for TVBOO , whose “chaotic-good” energy and blend of humor and unpredictability kept us rail-riders engaged from 2025 to 2026.  Then came the moment we all waited for: KNOCK2’ s New Year's closing set. After the clock struck midnight and we entered 2026, the energy inside Dallas Market Hall had shifted from a party to a roaring stadium-like force. KNOCK2’s performance felt like a second wind of pure adrenaline, carrying us through the first hours of the new year and closing out Lights All Night 2025 with relentless momentum. Photo Credit: Lights All Night Lights All Night 2025 was a masterpiece of movement, humor, and connection. Every moment added a brushstroke to a larger picture of what rave culture can be. From the wellness initiatives to the tremendous production across the Market Center, the festival proved that it truly understands its audience. As both a reporter and a raver, I left Lights All Night feeling rejuvenated, exactly how a New Year’s celebration should make you feel.  Here's to another year of lights, sound, and the unforgettable nights that keep us coming back. With love, Xunny.

From the heart of Dallas, RayBurger  is carving a unique lane by fusing the highly animated pulse of EDM with the rich rhythms of Latin America. Born and raised with a Tex-Mex spirit, he ignited the scene during the 2020 lockdown with breakout tracks like “ Kumbia Bang ” and “ La Hamburguesa. ” By blending cumbia and merengue with electronic intensity, RayBurger quickly caught the attention of global heavyweights and built a devoted following that celebrates both his boundary-pushing sound and his playful, community-first persona. Photo Credit: Side Quest Dispatch The atmosphere at his recent show at 9PM Music Venue  in Houston was already electric before RayBurger even touched the decks. Support acts DJ Tony Bangz  and GEEZUZ  set the pace, delivering relentless grooves that kept the floor moving and the momentum climbing. By the time the Dallas native took the stage, the energy shifted into overdrive.  RayBurger’s set was a masterclass in cultural fusion. Looking across the room, the crowd’s diversity mirrored the music. Modern EDM shufflers danced alongside fans pulling out classic Tejano-inspired moves. It was a musical rollercoaster: heavy Latin influences met global bass drops, keeping the audience guessing. At the same time, RayBurger maintained an unbreakable connection with the crowd.  After the show, we sat down with RayBurger to dive deeper into his sound, influences, and what drives his unique approach to the dance floor.  EDM Texas: For anyone new to your world, how would you define the RayBurger sound? RayBurger:  I specialize in what I call Latin EDM or Latin Rave. It’s a fusion. I play techno, hardstyle, and house, but there’s always a Latin flair to it, whether it’s the vocals, the rhythm, or just a specific swing. I’ve been producing for 15 years, but the last two years of full-time touring have really seen things scale up. I have an album dropping next year and some massive festival slots I can’t reveal just yet. EDM Texas: What was the spark that first got you into production? RayBurger:   Skrillex ! I started in hip-hop but when Skrillex blew up around 2011, it broke my mind. I couldn’t fathom how Skrillex created those sounds. When I heard “Scary Monsters and Nice Sprites” for the first time, it changed the trajectory of my life.  EDM Texas: What did you grow up listening to in Texas? RayBurger:  My family is Tejano, so the household was a mix of Selena  and the Kumbia Kings , which were huge in our household alongside funk legends like The Isley Brothers  and KC and the Sunshine Band . But I was also into Duran Duran , Creed , and I’m still a massive T-Pain  fan. That “Tex-Mex” melting pot is exactly what you hear in my sets today.  EDM Texas: How do you keep your sound evolving while staying true to your signature style? RayBurger:  It’s about “putting on” for the culture. For a long time, dance music wasn’t the most inclusive place, but now, there’s more diversity, and I want to help anchor that space for Latinos in club culture. The money is cool, and I make sure to donate and volunteer, but the mission is the priority. I’m the same dude; I’m just doing bigger things now. EDM Texas: Sometimes producers hit a “wall”. What’s the most challenging part of the process for you?  RayBurger:  I’ll be honest: I cannot mix and master my own tracks to save my life! I work very closely with a mastering engineer now, and it’s been a game-changer. Getting the final “feel” of a track to match what’s in my head is the hardest part, so having that professional help is vital.  Photo Credit: Side Quest Dispatch EDM Texas: How has rave culture in Texas shaped your sound and identity as an artist? RayBurger:  Being Tejano, there are songs that only “hit” here. For example, I play a remix of “Massore (El Baile del Gorila),” a popular Tejano song here in Texas, but not everywhere. If I play it in California, the room goes quiet. In Texas? It goes off. My remix of “Bota y Tambo” by Sabor Kolombia (Houston) went viral on TikTok because it tapped into that shared culture of weddings and quinceañeras we grew up with. I’m just bringing those memories back to the rave.  EDM Texas: You recently shared the stage with Deorro at EDC Las Vegas! What was that experience like?  RayBurger:  Wild. Looking out at that crowd, I couldn’t even see individual faces; I just had to pretend they were there, but I could hear them. I yelled, “ Hey, oh! ” and the crowd went absolutely wild. On the official stream, however, you couldn’t hear the crowd noise. Overall, the in-person energy was life-changing. EDM Texas: If you could go back and give yourself one piece of advice, what would it be? RayBurger:  Grow the fucking mullet, man. Follow RayBurger on his platforms below: INSTAGRAM EDC MEXICO 2025 SET SOUNDCLOUD SPOTIFY DISCORD