Are you looking to lose yourself in rhythm and dazzling lights? Austin, the world's live music capital, has become a spirited hub for electronic dance music, blending its eclectic culture with a booming nightlife scene. Whether you’re a local seeking your next favorite spot or a visitor chasing unforgettable nights, finding the best EDM clubs Austin offers is essential.  What Makes the Austin EDM Scene Unique? Austin’s reputation as the world's live-music capital naturally extends to its infectious EDM scene. It is powered by passionate collectives organizing shows and parties in diverse venues across the city, and this grassroots energy fuels the vibrant culture. World-class festivals like Freaky Deaky   and IllFest  ignite the Travis County Exposition Center, while the groundbreaking Seismic Dance Event  at The Concourse Project showcases cutting-edge underground talent. Add the iconic SXSW , which consistently spotlights electronic innovators, and you have a city where EDM is a movement.  From intimate gatherings to large-scale festivals, these seven EDM clubs in Austin pour out an eclectic spirit that makes it unforgettable for locals and visitors alike.   The Concourse Project Photo Credit: Bryan Gonzalez Ranked #5 among the top clubs in the nation , The Concourse Project is a standout in the Austin EDM scene. Located just off the 183 toll road, it avoids downtown chaos while offering the convenience of a spacious parking lot. Step inside, and you’re met with a top-notch establishment boasting a dynamic layout that adapts seamlessly to the crowd size.  The atmosphere is electrifying, with a robust lighting setup and incredible sound quality that carries flawlessly—even to the back of the venue! A loft area provides a bird's-eye view of the dance floor and stage, ensuring every guest has a prime spot to enjoy the action.  The club’s diverse lineup of artists caters to all corners of the EDM spectrum, making it a favorite among local fans and visiting enthusiasts. Add in friendly staff, reasonably priced drinks, clean and functional bathrooms, and a spacious outdoor area for mingling, and it's clear why the Concourse Project is a must-visit for anyone exploring EDM clubs in Austin.  The Oven Photo Credit: Denied Music Tucked in the heart of the Austin metro, The Oven is a 360-degree production studio that doubles as a go-to after-hours hotspot for EDM enthusiasts. Its underground warehouse vibe, top-notch sound, and flexible event production create a raw yet polished atmosphere perfect for late-night escapades! The Oven stands out for its commitment to fostering creativity, providing a platform for artists and visionaries to succeed. Whether you’re vibing to live indie bands, headbanging to dubstep, or losing yourself to the fast-paced beats of happy hardcore, this venue delivers a uniquely eclectic mix of sounds. With good AC to keep the energy flowing and a reputation as a space where connections and creativity thrive, The Oven is a meeting ground for Austin’s vibrant music community. If you’re exploring EDM clubs in Austin, this hidden gem deserves a spot on your list!  The Courtyard ATX Photo Credit: The Courtyard ATX The Courtyard is quickly making a name for itself as one of Austin’s most versatile music venues, with a particular buzz around its growing EDM shows. Nestled around a chic indoor bar with lounges on each side, the venue balances comfort and class.  At the heart of the action is a center patio where the dance floor resides, in harmony with crystal-clear sound and dazzling LED walls. This unique setup creates an inviting, open-air vibe that feels intimate yet electric.  The staff’s warmth and politeness add to the venue’s charm, making every visit feel like a first-class experience. While the Courtyard hosts a mix of acts across genres, its EDM events are becoming a highlight, and it's a must-visit for fans exploring EDM clubs in Austin.  Voodoo Room Photo Credit: Voodoo Room For years, the Voodoo Room has been the go-to destination for EDM lovers on Wednesdays with its legendary Wobble Wednesdays . This energetic nightclub brings the beats to life with stunning sound and lighting effects, vibrant go-go dancers, and an atmosphere that screams “Bass in your face”! Spread across multiple floors, the venue delivers impeccable sound quality on the 1st and 3rd levels, paired with mesmerizing visual designs that set the tone for an unforgettable night. The staff’s friendly and helpful demeanor and the community’s warmth foster a respectful, good-vibes-only environment that keeps the energy flowing. If you’re diving into EDM clubs in Austin, Voodoo Room is the place to feel the pulse of the city’s midweek party scene!  Reina Rooftop (ROMA) Photo Credit: Reina Rooftop Perched high above the city, Reina Rooftop (also known as ROMA for their downstairs club, offers a dazzling open-air experience with spectacular views of downtown Austin. The venue’s tropical decor creates an eclectic, laid-back vibe perfect for dancing under the stars.  Renowned for its fantastic cocktails, Reina Rooftop is a destination for music lovers and nightlife enthusiasts. A rotating lineup of talented DJs keeps the beats fresh and the energy high, making it a must-visit hotspot for anyone exploring EDM clubs in Austin. Kingdom Photo Credit: Courtney Stone A staple in Austin’s EDM scene, Kingdom has earned its reputation as a fan favorite for unforgettable shows. Known for its phenomenal production, the venue pairs crisp sound and mesmerizing lights with a clean, spacious dance floor that invites nonstop movement!  With its size, Kingdom maintains an intimate atmosphere, making every set feel personal and immersive. With good AC to keep the crowd chilly and a staff dedicated to smooth, worry-free nights, this club guarantees good vibes. If you’re looking for EDM clubs in Austin, Kingdom is a crown jewel you don’t want to miss.  The Cut ATX Photo Credit: The Cut ATX The Cut ATX is the go-to after-hours destination for Austin’s underground house and techno enthusiasts. Nestled in the heart of downtown, this vibrant spot brings the hottest names in the scene to keep the energy alive long after midnight.  The refreshing atmosphere and unparalleled crowd energy make every night unforgettable, solidifying The Cut ATX as a standout in Austin’s EDM scene. This after-hours hotspot is a must-experience for anyone looking for EDM clubs in Austin! From intimate after-hour spots to sprawling venues with cutting-edge production, the EDM clubs in Austin are as diverse as the beats they deliver. Whether you’re drawn to the Oven’s underground vibes, Reina Rooftop’s allure, or Voodoo Room’s bass-heavy energy, each club tells its unique story. Share your adventures, favorite spots, and must-see shows with us!  For the latest on the Texas EDM scene, don’t forget to subscribe to EDM Texas and stay plugged into the movement shaping the Lone Star state!

This Friday, November 28th, the walls of Trees  in Dallas will shake under the weight of a rising force in bass music. HVRCRFT , the Bay Area producer with a rapidly growing reputation for high-voltage sound design, will deliver direct support for DirtySnatcha  in one of his most defining career moments yet. From crate-digging in San Francisco to landing Top 10 charting releases, he now steps into the spotlight with the same ground-moving energy that first electrified his vision years ago. For Dallas, this is a front-row seat to the future of bass.  HVRCRFT’s sound traces back to San Francisco’s vibrant underground. As a 14-year-old kid armed with turntables and curiosity, he spent endless hours flipping through vinyl bins and teaching himself how to mix and perform. Those early discoveries cultivated his hunger for innovation - a foundation that would later erupt into the distinct, boundary-pushing style he’s now known for. “Shoutout to the Bay Area - that’s where I first experienced real musical diversity,” HVRCRFT explains. “I spent so much time digging through records from every genre, and that wide range of sounds definitely shaped how I produce music today.” Everything changed in 2017. Attending Lost Lands for the first time, surrounded by booming sub-bass and a tightly bonded community, crystallized his purpose. What began as an exploration suddenly became a mission: to create sound that hits as hard as the artists who inspired him: Excision , Subtronics , and DirtySnatcha .  “Going to Lost Lands showed me the true culture and community of dubstep - something I had never experienced before attending in 2017,” he said. “That moment made it clear: these were the people I wanted to create music for, and the community I wanted to belong to.” Back home, HVRCRFT dives into a relentless creative grind built on curiosity and risk-taking. His studio approach centers on texture, movement, and calculated chaos, aiming for drops that surprise and shake the room. That mindset now drives a production identity that keeps listeners leaning forward, waiting for the next unexpected hit.  “When I’m working on a drop, I’ll load a reference track I admire and study how they crafted it,” he explains. “I then try creating something with a similar texture or style in my own way. If that doesn’t click, I’ll run through presets, find something that sparks an idea, and start tweaking until it works for the track. For me, pushing boundaries is really just embracing trial and error - trying things, falling, trying again, and trusting the process all the way.” Photo Credit: Vizuals by VJ His determination soon took him to Los Angeles, where he sharpened his skills inside electronic music’s core industry network, connecting with collaborators, refining his sound, and learning the business from the inside out. Releases with Thrive Music , Circus Records , and others followed - and his artistic trajectory accelerated.  “My time in LA really opened my eyes to how the music industry operates behind the scenes - everything from payroll to how A&Rs, managers, and artists handle themselves professionally,” he notes. “Being around that environment, and shoutout to Thrive, who showed me just how crucial it is to understand the business side of music.”  Then came the moment that brought everything full-circle. HVRCRFT teamed up with DirtySnatcha, one of his day-one inspirations, for the track, “ Sum Dirty ”, released through Excision’s powerhouse label Subsidia . The result? A surge of credibility and momentum, including a Top 10 milestone on the Hypeddit Bass Music charts .  “Having DirtySnatcha on board with ‘Sum Dirty’ gave me a real boost of confidence,” he says. “It helped me refocus on my goals: building a fan base, touring, and sharing my music with as many people as possible.” This Friday at Trees marks another milestone: performing as direct support for DirtySnatcha on a stage packed with Texas fans ready for a seismic ride. He’s bringing new IDs, bold sound design, and the immersive energy that has become his signature.  “I’m excited to really showcase the HVRCRFT sound,” he says. “This show will help shape future performances, hopefully alongside DirtySnatcha, and open the door to even more unforgettable experiences with what I’m creating.”  Fans who step into Trees on Friday will witness the spark of a breakout era. Don’t miss your chance to feel the future shaking the dancefloor beneath you with artists Buckten , AKRONYM , Benelioan , and Mr. OneVibe . Grab your tickets , lean into the bass, and prepare to experience DirtySnatcha and HVRCRFT in their element.

Some festivals feel like a party, and others feel like a portal. In this place,  sound, art, and human energy blend into something larger than ourselves. Hosted deep in the Texas Hill Country, Beyond Existence is one of those rare spaces. It’s about fostering community, igniting creativity, and experiencing that indescribable magic that happens when everyone shows up with an open heart. Photo Credit: Josh Coburger The gates opened to a sunlit morning, the Texas wildlife welcoming us as we drove up the hill into the festival grounds. After securing our wristbands and setting up camp, we were ready to explore by mid-afternoon.  Our first destination was the Crystal Stage . Hammocks swayed behind the dance floor, light filtered beautifully through the trees, and the crowd was a vibrant mosaic of majestic, colorful outfits. The atmosphere was immediately immaculate. We captured memories of early attendees against the sunset glow over a small pond before diving back into the music. Then, the moment of pure, unexpected joy: a whole crew of clowns descended upon the crowd. Rainbow wigs, glitter, inflatable props - they were wonderfully hilarious and chaotic in the best way, instantly becoming one of the highlights of the day. All around, artists painted and created live; canvases grew into glowing murals as the beats rolled on. Photo Credit: Aeisha Photo Credit: Aeisha By sunset, the energy shifted into something surreal. The resting area, sponsored by QuiteTheSetUp , felt like a cozy, nostalgic escape, complete with couches, flow artists, and even an N64 setup for anyone needing to slow down. Next door, the art gallery cabin was alive with sound and color as DJs spun while attendees browsed the curated paintings. Photo Credit: Aeisha The night exploded when Caspa  finally hit the stage. His set was heavy, clean, and full of satisfying nostalgia - exactly the fuel Day 1 needed. The night ended in a spectacle of fire performers lighting up the crowd, bubbles floating through laser beams, and the massive butterfly art piece glowing like a true, ethereal portal. Day 1 was a seamless blend of sound, art, and connection, a powerful reminder of why these intentional gatherings mean so much.  Photo Credit: Aeisha Beyond Existence 2025 Day 2 Day 2 began with a slow, easy rhythm. We woke around 9 AM to the sounds of soft laughter and distant music. The morning felt calm and deeply connected as our camp eased into the day. After breakfast and chats, we headed to the first yoga session. The festival’s daytime workshops were a true treat - grounding, intentional, and a beautiful way to reconnect with the body before the music ramped up. The Texas sun climbed fast. After a break to regroup in the shade, we returned to the Crystal Stage  for early sets. Around 4 PM, I attended a hands-on workshop hosted by SubCulture  that focused on the intricacies of sound design. It was incredibly insightful, and it reveals the depth of intention that goes into the music that moves us. As the day unfolded, the vibes shifted from chill to electric. By sunset, Supertask  took the stage and completely captivated the crowd. His set was a true journey - cinematic, emotional, and profoundly moving.  Toward the end, a beautiful moment unfolded: a message celebrating one of our friends' anniversaries appeared on the big screen. We ran across the crowd to find them, already celebrating with champagne, tears of joy streaming down their faces. It was a pure, loving moment - the kind that reminds you how music connects hearts in the most unexpected ways. Shout-out to Smudge Visuals  for that wholesome moment we all experienced together as a family!  Still basking in that warmth, I caught up with Julia, the woman behind the anniversary message. EDM Texas: Julia, what makes Beyond Existence so special for you? Julia:  My friends were part of the team that started this festival a few years ago. We’ve been coming every year, watching their vision come to life. It’s so special to see it expand and evolve. The best part is the sense of safety and freedom here. You can put away the worries of the outside world for a few days and just be . Honestly, what could beat that? Nothing. It’s incredible.  EDM Texas: How was the drive getting out here? Julia:  Not too bad, only about two hours from H-Town to Paige, Texas. It’s incredible seeing so many familiar faces from Houston out here, bringing that same energy to Beyond Existence. The underground scene is rising, and we need more of this deep, experimental bass and dub energy. It’s refreshing to see people traveling for it. EDM Texas: Describe Beyond Existence 2025 in one word. Julia:  Dope! ( She says without hesitation.) EDM Texas: What does PLUR mean to you? Julia: If we’re going OG, it’s Peace, Love, Unity, and Respect. But I’d add one more: responsibility.  To me, PLUR means looking out for your people. Have each other’s backs, stay safe, and be considerate. Say ‘excuse me.’ If you don’t say ‘excuse me’ at a rave… you’re not doing it right. The energy rose when Smoakland  came in with a filthy, high-energy drum-and-bass set that had everyone dancing nonstop. It was an incredible surprise and precisely what the night needed. Inzo followed, closing his set with an emotional and grounding performance that left us reflective and filled with gratitude. Fire performers lit up the stage, artists were painting live along the edges, and the whole space felt alive with color and light. After Inzo’s set, we returned to the art gallery cabin. We came across an artist named Rose  working on a massive, interactive piece that invited people to contribute. It was a powerful reflection of community art in motion. Before leaving, I stopped by Wired Child ’s booth. I found the most unique little treasures, including a fossilized oreodaunt tooth, which is now one of my favorite keepsakes. I was curious what it felt like to debut a shop in this energetic space, so I chatted with Sonia, the artist behind Wired Child .  Sonia started wire-wrapping five years ago during COVID as a creative outlet. She needed a way to create without overthinking, and she found online tutorials online that led to a free-flowing, grounding process.  EDM Texas: How did you first hear about Beyond Existence? Sonya:  I have a friend, another vendor, who’s been coming out here for years. He always said, ‘You need to vend here, you’d love it!’  This year, the vendor coordinator personally reached out and asked me to join. And here I am, my first time! EDM Texas: What does the word ‘wook’  mean to you? Sonya: To me, it means you do what you’ve got to do. I grew up with my brothers in Boy Scouts, so I camped all the time when I was little. I picked up a lot of those skills back then and brought that knowledge here. At festivals like this, you learn to adapt, figure things out as you go, and just wing it. That’s the wook way, being resourceful, grounded, and still having fun! EDM Texas: What does PLUR mean to you? Sonya:  PLUR, to me, is about being the best version of yourself — for you, for everyone around you, and for everything you touch. It’s about bringing love, peace, and respect into every space you enter. The night ended back at the Crystal Stage  for G-Space , whose set tied the late-night hours with deep bass and flowing transitions. We soaked it all in until finally drifting back to camp, falling asleep under the sound of music still echoing in. Day 2 was a perfect culmination of learning, connection, emotion, and shared experiences.  Photo Credit: Aeisha Beyond Existence 2025 delivered more than just music; it created a vibrant, living space for community, creativity, and genuine human connection. From grounding yoga and insightful workshops to spontaneous laughter and heartfelt moments, every detail felt intentional. As the bass faded into the early hours, one truth remained clear: PLUR is still well and alive, thriving here. Beyond Existence is a powerful reminder of how vibrant, supportive, and inspired our community truly is.

A visceral new movement has erupted within the Texas electronic music scene with the launch of Control Room  - a project determined to reclaim the raw, unfiltered energy of bass culture. Spearheaded by Dessigner Toys , a fast-rising force in the bass community, this series transforms cinematic studio sessions into intimate gatherings that feel more like underground kickbacks than polished video shoots. Born from a desire to capture the raw intensity of the underground, Control Room bridges the gap between the chaotic freedom of the rave floor and the focused artistry of the studio. Photo Credit: Megan Burch Rooted in Dallas’s DIY ethos, Control Room  emerged from a hunger for genuine connection. The concept solidified when Dessigner Toys  decided to channel that energy into something tangible.  “I came up with the idea because I wanted to bring something exclusive and fresh to Dallas,” he explained. “ We already have big venues like SILO and plenty of other large shows, but I wanted to create something more intimate - a space with limited capacity where you have to catch it when it happens.”  Stepping inside the studio feels less like entering a club and more like wandering into a secret sound experiment. The design prioritizes sonic purity, with massive speakers that seem to breathe as they shake the walls. Every single studio fixture and piece of cabling works to build an experience where the camera serves as just another audience member, silently capturing the potent vibe for those who missed the limited-capacity gathering.  This hunger for direct connection fuels Control Room’s mission: to champion emerging talent. Dessigner Toys envisions it as a launchpad for artists - many of whom he’s met through touring and performing across the country. “The goal is to build an experience that feels raw, underground, and connected - something that captures the true spirit of the scene,” he declares.  That spirit also defines the project’s name. “Control” symbolizes presence - artists and fans fully immersed in the moment. While major performance channels like Boiler Room  or Cercle  showcase global acts in exotic or polished settings, Control Room embraces a grittier approach. The proximity between the performer and the crowd cultivates a rare musical intimacy. That sense of unity cements the essence of what makes Control Room so compelling. “ The whole idea is just to vibe,” he stated. “We want good energy, people having fun, doing their thing, and experiencing the music in a laid-back, genuine way. Every time I looked back, it had that intimate feeling I wanted. Even though I didn’t know most of the people there, it felt like we were all friends at that moment. We just had fun!” Photo Credit: Megan Burch The heart of Control Room beats through its creator. Dessigner Toys has built a reputation for his textured, experimental sound design. He aligns with the celebrated Wakaan family while carving his own lane in the underground. “I used to make heavier bass and dubstep, more of that riddim type stuff,” he shared, “but I took a four-year break from electronic music.”  That pause allowed his sound to evolve. Instead of focusing solely on bass frequencies, he explored other genres like hip-hop, pop, and even country. “I kind of pulled a reverse Kenny Beats move by stepping away to experiment and write all kinds of different music,” he says. In the past year, he’s performed at Wakaan Music Festival , opened for Star Monster at Dallas’s Green Elephant , supported MPort  at The Courtyard  in Austin, and co-headlined COBA ’s first bass music show. His sound has since evolved into a bass-driven yet melodic blend from his diverse writing experience.  “I’ve always loved deep, textured bass music and the whole Wakaan-style sound, so it feels like everything finally came full circle. It’s all just been about vibing and making music that feels right.” Electronic music stands at a cultural crossroads. As major festivals and labels push the genre into mainstream prominence, a countercurrent is forming: a revival of the underground spirit that values intimacy, authenticity, and experimentation. Control Room embodies this philosophy and plans to provide emerging artists a space to grow while staying true to the essence of bass culture. “The industry always goes through cycles, so artists need to stay true to themselves, keep writing good music, and not lose focus,” Dessigner Toys noted. “Yes, we all have to do the influencer stuff now: TikTok, social media, etc. But at the end of the day, consistency and authenticity matter most. If you stay genuine and keep creating, you’ll find your place and succeed.”  Looking ahead, the series plans to maintain a bi-weekly rhythm with small, exclusive sessions offering a first-come, first-serve approach. Fans can catch REALEZT and Lucas DiLeo from Austin on November 23rd, followed by SoDef ,   AYCH , and Dessigner Toys himself on December 4th. As the series expands, it will feature a diverse range of artists from around the world. Grounded in Dallas yet resonating far beyond, Control Room’s raw energy and uncompromised vision will redefine what it means to experience electronic music in its purest form. And there’s more in store.

SILO  once again outdid itself with an electrifying Halloween experience. On October 31, 2025, French DJ and Latin House pioneer HUGEL  lit up Dallas with a performance that transcended expectations. From the first beat to the final encore, his set pulsed with energy, rhythm, and pure joy.  The moment you stepped through SILO’s doors, the atmosphere hit you like a wave. Lights flashing, bass vibrating through the floor, and the crowd already lost in motion. Costumed ravers: witches, skeletons, angels, and more moved as one, their smiles reflecting the pure exhilaration that filled the room.  “Life begins at the first rave,”  attendee Eduardo Gomez said, perfectly capturing the essence of the night. Everyone who entered seemed to awaken the moment the rhythm took hold, caught between the beat and the magic of shared energy.  Photo Credit: Monica Dominguez For me, seeing HUGEL live was a bucket-list moment. Ever since I first heard his hit, “Morenita”, I’ve wanted to experience it in person. When those familiar notes finally dropped at SILO, the venue erupted. The melody intertwined with the crowd’s cheers and HUGEL’s infectious energy created a collective euphoria that made it impossible not to dance.   As the night wound down, the energy didn’t fade. The lights dimmed, and HUGEL took a moment to speak directly to Dallas. His encore was nothing short of excellent. The soft, soulful melody that followed seemed to pause time. For a few minutes, the entire crowd moved as one heartbeat: united, alive, and free. It was a reminder that makes us not just move but feel.  If you haven’t yet experienced a night at SILO, consider this your sign. Grab your crew, make your way to Dallas, and use our code "BigMainStage" for $5 off your tickets. Because when HUGEL took the decks, you lived through the music.  Feature Photo Credit: Justin Nizer

There’s a kind of electric appreciation that happens when you’re dancing barefoot by the river as lasers slice through the Texas night. That’s the precise magic Sound Camp 2025  bottled. Held from September 26–28, the banks of the Guadalupe River in New Braunfels transformed into a vibrant playground of bass, community, and creativity, setting a new, high standard for what an underground festival can be. Setting the Vibe at Sound Camp 2025 I arrived just after noon, pulling into a scene of already bustling vendors and campers staking their claim. Once settled, the urge to explore took over. The Pulse Stage  (main stage) was already throbbing - a warm, welcoming hug of bass amidst the wild nature. Wandering further, I came upon the Basin Stage  (side stage), where melodic, progressive, and house beats drifted through the trees, creating a calm, lounge-like atmosphere. My own camp was set up near the  Duck Pond , hosted by  Elixir Mixir— a designated chill zone alive with kandi trading, trinkets, and good vibes. Though initial foot traffic was light, the spirit of PLUR was immediate. At one point, when a festival-goer needed help near their tent, I was deeply impressed by the Elixir Mixer team’s quick, compassionate, and professional response. With the gentle flow of the Guadalupe as a backdrop to the Basin Stage , the whole area pulsed with a refreshing, collective energy.  Photo Credit: Aeisha Izaguirre After soaking up the daytime sounds, I moved toward the Renegade Stage  near the GA camping. Decorated with a spinning disco ball and rich tapestries, it felt like a secret, slightly rebellious highway. I knew this spot would come alive once the sun set.  Artist Insight: MPort on Sound & Storytelling Just before his high-energy set, we caught up with DJ MPort , a rising name in the bass scene known for blending clever samples, explosive drops, and visuals that hit as hard as his sound. Despite the pre-set adrenaline, MPort was incredibly relaxed, grounded, and present, ready to take the stage and share his vision. We dove into a conversation about the power of visuals in music storytelling, the deeper meaning behind his track “Empire ” , and the moments that truly inspire him behind the decks. Photo Credit: Aeisha Izaguirre EDM Texas: During your AMA session, you talked about sampling scenes and media. How important are visuals in terms of storytelling in your music or referencing them in your creative process? MPort:  When working with source material, such as a sample, the visual context brings everything together. For example, if you don’t know that “55 Burger” clip, you’d just hear someone screaming - but when you recognize it or realize it’s a guy yelling at a drive-thru, suddenly it’s funny; the visuals tie the emotion together. Even beyond samples, visuals can totally shape the experience. I recently saw Tipper & Friends , and the wild, improvised visuals paired with the experimental music were so consuming that I felt like I was watching a visual show with incredible music, rather than the other way around. EDM Texas: In your track “Empire ” , you blend melody with heavy sub-bass and experimental textures. What inspired that direction? MPort:  That’s a deep cut! I made that back in 2020 with a specific purpose in mind. I wanted it to feel like a festival build-up, when you’re expecting one thing. Then it suddenly shifts into something profound and unexpected. I had this tagline in mind: “underground sound with main stage energy”. That’s what “Empire” represents - maybe it’s not the biggest name, but it’s still hitting just as hard with its own unique vibe. I still love that about the track. EDM Texas: What’s a moment, either on stage or in the crowd, that still gives you chills no matter how many gigs you play? MPort:  When people sing lyrics back to me. Even if it’s a goofy sample, like a SpongeBob “Wumbo” bit, but when the crowd sings along, the energy snaps into sync, and it’s magic. I played Bass Canyon  recently, and when I dropped my remix of the “Cupid Shuffle”, the entire crowd started participating in the dance. Those moments of collective energy are simply the best. As a fan, it’s the same feeling - hearing tracks that have inspired me to start making music, like when I saw Skrillex  at Red Rocks  a few months ago. That’s always a goosebumps moment.  EDM Texas: If you could DJ in any city in the world tomorrow, where would it be? MPort:  I’d go back to New Zealand. I’ve played there, and they genuinely get the music. There’s so much incredible talent coming out of New Zealand and Australia - Sippy , Hydraulix , and Flume ,   to name a few. That whole scene is next-level. I’d bring something high-energy and wonky, complete with a full visual and lighting team, for a proper show. Sound Camp 2025 Day 2  Day two arrived quickly, kicked off by a hearty breakfast. By noon, I was recharged and ready for more. The Pulse Stage  was already shaking the ground with a serious boom. My afternoon highlight was the Flow Meetup at the Duck Pond , hosted by ATX Flowmies , where I achieved a small personal victory: learning a reverse spin on a Flowstar for the first time!  Photo Credit: Aeisha Izaguirre After a quick break, I spent the afternoon bouncing between the main stage and the Renegade stage which then led me to meet Matt Duncan and Sarah Sapinski, who were running the Renegade. It was divine timing that allowed us to have a moment to discuss with them who they are and what their role was in Sound Camp. Behind the Vision: A Sit-Down with EDM Prosperity Network EDM Texas: Can you introduce yourselves and tell us what EDM Prosperity Network is all about? Sarah Sapinski:  I’m a bass music DJ, producer, and the founder of EDM Prosperity Network. Our mission is to bring together creatives passionate about electronic music and help them grow personally, artistically, and professionally. At the heart of what we do are the values of peace, love, unity, respect, and responsibility. Those principles guide every project, event, and connection we foster. Matt Duncan:  I serve as the head of strategy and expansion for EDM Prosperity Network. I’m also a bass music DJ. My focus is on identifying the creative talent and resources within our community — and figuring out how we can collaborate, not just among ourselves but across the wider scene. Our vision is to build a “network of networks” — a collaborative ecosystem where everyone in the electronic music space, from DJs and producers to photographers, videographers, sound engineers, and even business professionals, can connect and support one another. It’s about building bridges between creativity and infrastructure so that the culture can thrive on every level. EDM Texas: What was the vision behind the stage design and vibe you wanted to create at Sound Camp? Sarah : The stage vision really came together organically. By the time Matt joined the EDM Prosperity Network, Sound Camp had already reached out and invited us to curate a stage.   Lucas DiLeo , my co-founder, called me about it the day after I quit my day job, and it felt like a sign that I was on the right path. Their goal was to elevate the festival from previous years, bring in bigger artists like  Ivy Lab , and take on the production elements. Our role was to shape the vibe, curate the experience, and build community around the music. That’s also how we reconnected with Trey from Martian Audio , who ultimately designed the stage. We had worked together before at  Nova Festival - I even jumped on the decks last-minute there when they needed someone, which Trey still jokes about as me “saving the day.” That moment built a great bond, and I was able to share some technical insight from my fiancé, who’s a live sound engineer, to help with setup. In the end, Trey’s production expertise and our creative vision came together seamlessly. The stage became a true collaboration, a mix of trust, community, and shared passion that brought the whole experience to life. EDM Texas: How did you end up curating the lineup? Was it planned ahead or spontaneous? Sarah : Sound Camp approached us to curate a stage as part of their plan to grow the festival, adding bigger names while keeping a strong community focus. They wanted the event to feel elevated but still rooted in the idea that everyone contributes to the experience. Instead of doing a fully open decks stage, which can be unpredictable in terms of vibe and quality, we built a lineup that balanced both. We started by inviting DJs already connected within the EDM Prosperity Network to apply, as well as artists who’ve been consistently building their craft and putting in the work. From there, we selected based on talent, dedication, accountability, and alignment with our core values. The result was a lineup that highlighted not just skill, but genuine passion and community spirit. EDM Texas: Do you see yourselves bringing EDM Prosperity Network Renegade stages to festivals? Matt:  The renegade stage we hosted at Sound Camp was a major success, both for EDM Prosperity Network and for the artists who got the chance to perform. It gave rising DJs a platform to play their first festival sets, brought in new audiences, and strengthened the sense of community around the event. Because of that, we’re now looking at ways to offer this renegade stage model to other small and mid-sized festivals, starting in Texas and expanding outward as we grow. The goal is to create official renegade stages that highlight local and emerging talent, while leaving room for surprise sets from main-stage artists. It’s about helping new DJs take that next step and showing festivals how powerful it can be to invest in their local scene. Over time, we hope to bring this concept to events across the country, and eventually, around the world. EDM Texas: You’ve hosted events like For the Community in Austin. How did that same ethos translate to the renegade stage at Sound Camp? Sarah:   For the Community  was actually where EDM Prosperity Network really began. It was a small pop-up with open decks and spontaneous sets, all about giving artists a platform and lifting each other up. That same mission carried over to Sound Camp, just on a much bigger scale. Instead of a small venue, we were on a festival stage with major headliners, but the heart of it was the same: showcasing passionate artists who put everything into their craft and deserve to be seen. Keeping that community-driven spirit alive is what fuels everything we do. Matt:  That philosophy guided everything leading up to Sound Camp too. We didn’t just want to book artists, we wanted to prepare them. Many of the DJs performing had never used professional-grade gear, so we hosted  Road to Sound Camp  workshops to give them hands-on experience with CDJ-3000s, full-festival sound systems, and real stage setups. We also focused on mindset and wellness. Performing at a festival is intense, so we led sessions on intention-setting, mental preparation, and physical balance. It’s not just about mixing tracks, it’s about helping artists feel ready and grounded so they can deliver their best. For us, it’s about building systems, from personal growth to creative collaboration that support artists at every level. That’s the deeper purpose behind everything we do at EDM Prosperity Network. I'd been searching for a way to combine my skills with my love for electronic music, and meeting Sarah was the turning point. She had the vision and the community, and I had the experience building structures that help things grow. Together, it just clicked. I truly believe we’re building something that will have a huge impact on this scene. We’re always excited to welcome new collaborators and talent into the fold. Anyone who shares this vision can connect with us on Instagram   or visit our website .  After soaking in all that inspiration from the EDM Prosperity crew and watching new talent tear it up on the Renegade stage, I knew the night was far from over. The main stage was calling and the next chapter of Sound Camp was about to crank the energy up even higher. A strategically timed nap around 8 PM proved to be the right call, as I woke up just in time for TroyBoi ’s set on the main stage. The energy was unreal. It was definitely the busiest and most electric day of the weekend, with an unmatched crowd vibe. The LED flow artists right in front of the stage became a hypnotic sight, their lights swirling and bodies dancing as if the music itself was physically shaping the movement.  I almost surrendered to sleep, but my crew pulled me back to the Renegade Stage , which was blazing well into the morning. The spinning disco ball caught the light overhead, making every renegade set feel magical. And the laser—a potent beam projecting DJ names and “Sound Camp” across the dark hills—created a surreal, unforgettable backdrop. Sound Camp 2025 Day 3  One of the most anticipated moments of the weekend—the  Amplify EDM  panel—did not disappoint. The lineup featured inspiring voices, including Sydney Cheatham  (co-founder of Sound Camp TX ), Saratonin ( founder of  EDM Prosperity Network ) ,   Lauren Bruno, (CEO of  Prosperxo ) , Hannah Allen  (founder of  Elixir Mixer Events ) , and  Kay Cote (founder of  Amplify EDM and host of  AMPEDCast ) . They dove deep into conversations about innovation, visibility, and the development of sustainable careers for artists in the electronic music scene. It was an incredible panel to witness, as each speaker brought a unique perspective and a wealth of knowledge. I walked away feeling profoundly inspired and energized. Photo Credit: Aeisha Izaguirre Photo Credit: Aeisha Izaguirre Afterward, I grabbed some tacos (because they do make everything better) and headed over to the Duck Pond . The music, however, was too compelling to stay seated. The groove took over, and there I was, dancing alone with a taco in hand, completely lost in a profoundly personal festival moment. The DJ was weaving an uplifting journey that perfectly complemented the panel’s earlier inspiration. When the set finished, DJ Ferno  walked over and thanked me for being present. What started as a spontaneous dance quickly became one of my favorite connections of the entire weekend. Artist Insight: DJ Ferno on Love, Community, and House Music Fresh off an electrifying set that blended soulful grooves with driving house rhythms, Philadelphia-born, Austin-based artist, DJ Ferno  sat down with us to talk about many things. His approach goes beyond music; it’s about creating meaningful moments, connecting people, and using art as a vehicle for positivity and love.  Photo Credit: Aeisha Izaguirre EDM Texas: Who were your earliest influences that inspired you to step behind the decks? DJ Ferno:  My earliest influence was DJ Touchtone  in Philadelphia. When I was fifteen, I won a Six Flags contest and was invited to the radio station to pick up my tickets. I saw him in the studio touching and manipulating vinyl records, and I instantly fell in love. I got turntables for my sixteenth birthday, and it all started from that moment. Another significant moment in my EDM journey was going to the Chosen Few Picnic in Chicago, hosted by house legend Terry Hunter . Seeing 20,000 to 30,000 people vibing as one to house music in a park, with whistles blowing and pure energy, I remember thinking, “How can I be part of this?” That’s where the journey truly began. EDM Texas: Do you incorporate your life experiences into your mixing and production? DJ Ferno:  Absolutely. The big overarching theme in everything I do is love. I want to push as much of that love into the world as possible. Community is vital to me, and I grew up in a tight-knit one in Philadelphia.  EDM Texas: What’s been one of your most memorable moments behind the decks, a time when you felt a deep connection to the crowd? DJ Ferno:  A recent one that stands out was when I played a Daybreaker  party in Austin. It’s a truly unique event: they begin with breathwork, yoga, and cold plunges, and set collective intentions before the music even starts. Playing in that kind of space, where everyone is so present and connected, creates a truly special energy. EDM Texas: If you could collaborate with anyone in history, dead or alive, who would it be? DJ Ferno: Marvin Gaye. I love how he articulated not just his own feelings, but what the world was going through at the time, and put that into words so beautifully. It would be incredible to hear him over some house music. I always recommend his album What’s Going On. EDM Texas: Outside of music, what passions or hobbies feed back into your creativity as a DJ? DJ Ferno:  I love the creative process, no matter the medium. Whether it’s creating music, creating a moment like this conversation, or something entirely different, I also have a real passion for   photography and videography. I love capturing moments, architectural details, people interacting, and scenes that tell a story. I can’t help but look at the world as if I’m looking through a frame. That perspective truly influences how I approach DJing and storytelling through music. EDM Texas: What does meditation look like for you? DJ Ferno: I take about fifteen minutes to breathe and ground myself. I’ll write in my journal, setting intentions for the set. And the last thing I do is ask to be a conduit for whatever needs to come through. Actually… we can do it right now. Want to take a breath together? (We pause and breathe together) In that moment, you wanted or needed nothing. You always have that. EDM Texas: What legacy do you hope to leave in Austin’s music scene? DJ Ferno:  The legacy I hope to leave is that community matters, and love matters. Love is a choice you make every day. I literally have a shirt that says Choose Love. Even in small moments, you have a choice: respond with anger or respond with love. That’s the message I want to spread through my work: choose love in every moment. That profound conversation was the perfect capstone to a weekend of connection and creation. Conversing with artists like Mport  and DJ Ferno  added a deep, humanizing layer to the festival. Hearing them discuss storytelling through visuals, the balance between underground sound and main stage energy, and the power of love reminded me why this scene is so special. It’s not just about the drops and lasers; it’s about the humans behind the decks and the genuine connections they build. I headed back to my tent for a brief recharge before diving into the final night. As the sun sank lower, I caught a little bit of everything: gritty garage and drum & bass from Ellie , heavy-hitting dirty dub from  Saratonin , and a relentless bass-fueled set from  Lytlbt that had me “bass-facing” nonstop. Then, as the night drew to a close, I discovered an artist whose sound blew me away: So Sus . Their set was packed with serious, wub-heavy vibes—a 10/10 discovery that left me hungry for more. I’ll be watching them closely from here on out.  Photo Credit: Aeisha Izaguirre Photo Credit: Aeisha Izaguirre Whether it was dancing by the river with tacos in hand, watching lights ripple across the hills during a late-night renegade set, or sharing a quiet breath of intention with Ferno, Sound Camp 2025 was full of moments that affirmed my love for this culture. It was raw, real, and beautifully human. For a first-year festival, Sound Camp set the bar high. The production, the stages, the community, and the energy all came together seamlessly. This is just the beginning of something significant for Texas’ underground scene. I’m already counting down the days until we gather by the river again next year, because Sound Camp isn’t just an event, it’s a necessary experience.

The All Hours Records Festival exploded across Vice Park on October 3, transforming the nightclub into a vibrant, multi-level micromusic festival that defied Dallas’s traditional musical reputation. More than just a night of dancing, it served as a powerful showcase of Texas’s thriving EDM ecosystem, giving local and regional artists a massive platform. Headliners Goshfather and Airborne  anchored the event - together embodying the festival’s mission to amplify community, creativity, and connection. The AHR Festival emerged as a rising force ready to reshape the city’s nocturnal rhythm, making it a night to remember.  Photo Credit: Courtney Stone Energy pulsed through Vice Park like an electric current, flowing between the venue’s three distinct stages and painting each level with sound and light. In the main room, artists like Quadz  and Airborne unleashed heavy, bass-driven sets beneath immersive lighting and crisp production.  Photo Credit: Courtney Stone Photo Credit: Courtney Stone Ascending to the rooftop, guests found a dramatic shift in tone. With the Dallas skyline shining in the background, the air turned breezy and euphoric as Goshfather , RCK STDY  & Tomi Tonics , and Crown Zebra  ( Vozz , Nicky Bender , and  DJ Boston Jones ) laid down house grooves that invited everyone to move. Photo Credit: Courtney Stone For those craving an even more intimate connection, a separate space hosted the silent disco, where regional artists like Don Shawn , Team Umami ( John Wayne  & Baelien ), DJ Ari , and more crafted personal soundscapes. Across every level, one thing was clear: the community’s hunger for the beat united everyone in Vice Park.  That sentiment was felt amongst the artists. DJ JUSFLØ  reflected, “Being around local people, sharing the music I love, and seeing everyone dance - it’s really something special.” He noted how the growing enthusiasm for electronic music in Dallas proves that the city has become fertile ground for EDM culture to thrive.  Photo Credit: Courtney Stone At the core of the festival’s magnetic pull were longtime collaborators Goshfather and Airborne, whose creative partnership spans more than 15 years. Airborne, the event’s primary organizer, first met Goshfather at age 16, when the latter was touring the country, “just having fun with it all,” as Airborne recalled. What began as a meeting of musical minds evolved into a creative friendship that continues to push boundaries - from festival stages to experimental techno tracks “way outside” their typical sound.  Airborne’s vision for the festival reflects this same openness. The AHR Festival, he explained, isn’t about one specific style - it’s about “getting disco house, dubstep, techno, and other sounds out there” and ensuring that every artist “has a platform”. For Goshfather, the philosophy runs deep. His love for electronic music began in high school, when his fascination with Daft Punk  set him apart from peers who preferred mainstream hits. “It felt like rebellion,” he recalled. That spirit carried into his early days with Goshfather & Jinco . The bass-heavy duo that gained national traction before he ultimately pivoted toward the soulful pulse of house. “House just spoke to me more deeply,” he said. With disco house’s recent resurgence, he’s focused on building communities and supporting emerging artists, calling events like AHR “vital opportunities for new creators to grow.”  Airborne echoed that belief. For him, producing these events is about more than booking lineups - it’s about fostering connection and gratitude. “Every moment counts,” he said. “You have to put in the time, grind, and effort.” His dedication to cultivating positivity and unity gives Dallas’s EDM scene a heartbeat that’s increasingly hard to ignore.  Photo Credit: Courtney Stone The All Hours Records Festival’s true heartbeat came from the platform it gave to Texas-based DJs and producers. Airborne’s lineup intentionally wove together local artists with national names to create an audible tapestry that celebrated collaboration and regional diversity. “We brought in different artists and sounds from all over the country,” he explained, emphasizing how this fusion creates something uniquely Dallas - a contagious mix of optimism, creativity, and connection. For Goshfather, returning to Dallas after nearly a decade revealed a city transformed. His last performance, at a local bar years ago, had been an uphill climb. “Back then, I thought they were going to hate me,” he laughed. “People just wanted to hear Tiësto .” But this time, he felt the shift immediately. AHR’s crowd was open-minded, curious, and energized—a community seeking experiences, not just songs. As he watched attendees move between stages, he knew something had changed. “That’s the beginning of something great,” he said. Photo Credit: Courtney Stone The pulse of the All Hours Records festival echoed a broader truth: Texas’s EDM scene is rising fast - and grassroots events are its driving force. Through smaller, high-impact gatherings like AHR, promoters, artists, and fans are building a sustainable culture rooted in collaboration and shared energy. Airborne, at the center of this momentum, approaches his work with a clear mission: to spread love, pride, and PLUR energy through every event. He champions artists who pour everything into their craft, like Goshfather, whom he describes as “one of the hardest workers I know.” These collaborations don’t just elevate the artists—they strengthen the ecosystem itself.  The potential for Texas to stand alongside EDM powerhouses like Miami or Los Angeles is no longer a distant idea. Goshfather praised Airborne’s efforts for uniting far-flung corners of the state: “He’s bringing artists from all over Texas together,” he said. “I’ve met DJs from places I didn’t even know had scenes, and he’s giving them opportunities.” That, perhaps, is the AHR Festival’s most significant achievement - transforming Dallas into a crossroads where local ambition meets national potential.  The All Hours Records Festival was a glimpse into the future of Texas EDM. It proved that Dallas can hold the rhythm and set the tone for what’s next. If this night was any indication, the Lone Star State’s dancefloors are heating up - and we’ll be grooving right along!

LISTEN TO HIS GUEST MIX HERE St.Ephen draws crowds into the heart of Dallas nightlife. Born in the city and now based in Arlington, the DJ has carved out a place in the DFW electronic circuit with sets that shake both underground venues and festival stages. Over the past year, he has held a residency at The Blade Rave  and appeared on lineups for Drifted Fest , Sunset Sessions , and DnB Sessions  - each performance expanding his footprint across the metroplex. Now, in 2025, he stands at a new threshold: producing original tracks and remixes stamped in his city’s imprint while reaching for bigger stages. Rooted in family, rhythm, and a love for live music in all its forms, he treats networking and community-building as inseparable from the art itself. Photo Credit: Zach Burns Crowds first recognized St.Ephen’s name under the strobes of The Blade Rave, where his residency let him return weekend after weekend to refine the pulse of his sound. At Drifted Fest, low-end rattled the floorboards, while Sunset Sessions   had him weaving shimmering house through the glow of a Dallas skyline at dusk. These nights introduced him to pockets of the underground eager for exactly his blend of energy and melody.  “The experiences help me find the signature sound I want to be known for,” St.Ephen says. “Getting into the DFW EDM scene, I had to start with house music. The plan was always to move into techno and trance, as well, so that I could play with my preferred sounds. Getting the chance to play these shows and festivals helped me connect with the audience I want.”  Photo Credit: Jess Baroness Every set St.Ephen builds runs like a story without words - beats rising like dialogue, drops hitting like revelations, melodies lingering like the final scene - his compass points to melodic house and techno, the place where everything he loves intersects. “I fell in love with techno in the ‘90s and trance in the 2000s. I grew up around house music all my life,” he says. “Melodic house and techno blends those three elements into a progressive, driving sound that gives me chills every time. When I craft a set, I want people to dance, but also to feel the music. If the crowd connects to that emotion, I’ve done my job as a DJ.”  That instinct to stir emotions started long before the club. St.Ephen’s Mother sang on the Tejano circuit, and he remembers watching her transform a room with a glance or a raised hand. “Growing up with a Mom who had stage presence helped me overcome stage fright,” he says. “I grew up with rhythm because I was always listening to music. Connecting with an audience was harder - I had to learn from DJ peers that we’re performers now, not just hidden behind a booth. When you engage the crowd, you can make memories.” A self-described festival junkie, St.Ephen devours live music in every form. He lingers at side stages where unknown DJs push risky mixes, and studies how strangers react when a drop blindsides them. “Coming back from a festival always helps me reset my mindset as a DJ,” he says. “Seeing new songs and artists play to a live crowd and watching reactions gives me ideas for how I can do the same, but in my own style. Lately, I’ve returned from festivals with new ways to blend my music and fresh ideas for engaging the crowd.”  For newcomers eyeing Dallas’ crowded DJ calendar, St.Ephen urges everyone to show up. That means stepping into the clubs, shaking hands with promoters, and staying to observe how other DJs move a room. In an age where SoundCloud links and Instagram reels flood inboxes, he insists nothing replaces the weight of in-person connection. Online promotion might get your name seen, but bookings happen when people remember your face.  “Open decks and meeting promoters are the best ways to get your sound heard by the people who book,” he says. “It adds a personal touch when a promoter actually meets you. They can see how you work with the crowd and how you perform behind the decks. For me, going to open decks and meeting promoters eventually led to bookings that happened organically.”  St.Ephen talks about the future with the same urgency he brings to the booth. He wants a sound marked with his fingerprints: the trance swells of the 2000s, the percussive punch of the house music that raised him, and the dark edge of the ‘90s techno that first hooked him. While he dreams of stages far outside Texas, he wants tracks that the Dallas underground can claim as its own. “Only time will tell how I’m able to fuse my sound with what DFW has taught me,” he says. “All I know is the sound I want to make and the vibes I want to give. It’ll have DFW all over it.” Photo Credit: Crystal Kirby He looks ahead now with the same drive that powers his sets as he plots tracks that carry Dallas in their DNA. As the horizon stretches further, the underground will always give him a stage and shape his sound. For St.Ephen, the party will follow him into the studio, the next gig, and into the pulse of whatever waits beyond the booth.

By late October, the banks of the Colorado River will shift into a dreamscape where oak trees whisper folklore, masked figures roam the shadows, and three festival realms collide into one. Welcome to Wicked Oaks  - the newest creation from Disco Presents - debuting October 25-26 at Carson Creek Ranch . Wicked Oaks merges three heavyweight experiences into one: Freaky Deaky ’s costumed chaos, Summoning of the Eclipse’s ritual intensity, and ILLFest’s mural-splashed, bass-heavy playground. For the first time, they will converge beneath Carson Creek’s pecan canopy, weaving their identities into one story. Disco Presents, the crew behind Lights All Night and Ubbi Dubbi , is known to push immersive production beyond expectations. And with Wicked Oaks, they’re staging a party and  summoning a myth. For EDM fans, the stakes go beyond this stacked lineup: it promises to be a transformation where Texas’s land, music, and art fuse into something unforgettable.   Three worlds stretch across the woods, each with its own rhythm, color, and mood. Freaky Deaky sprawls first, a woodland playground where Halloween’s theatrics drift through foggy trails and shadowed glades. Eric Prydz  will wrap the first in his hypnotic melodies, Kaskade will warm the horizon with his signature sunset set, Bob Moses  will thread their indie charm into deep club beats, and Martin Garrix  will send cheers shooting off the trees like fireworks.  A few steps deeper, the path descends into Summoning , a bass-drenched cathedral ruled by SVDDEN DEATH . His VOYD  will rise like a ritual conjurer, so you can expect drops pounding with the force of stone. NGHTMRE  and Kompany  will ignite their B2B set while Flux Pavilion  rattles the ground. Kai Wachi  will add a cinematic sweep, crescendos hitting like a body blow. The Summoning will drag festivalgoers into its subterranean current. Across the clearing, ILLFest  will burst in vivid contrast. Murals bloom across massive walls, paint glowing under strobes. Tony Romera ’s house grooves will slice through the air while Luuk Van Dijk ’s bassline pulses will ripple across the crowd. Three realms, distinct yet intertwined, form a single narrative: each step a chapter, each stage a plot twist. By Sunday night, the story will belong to the landscape itself - a living book written in music, myth, and imagination. Wicked Oaks will extend past the stages into something audiences can touch, taste, and stumble into unprepared. Sculptural art will glow from the soil. Fire spinners will carve arcs of heat into the night sky, and aerialists will twist overhead. Down winding forest paths, masked performers will appear without warning, as if the woods themselves decided to put on a show.  Even the food will keep pace with the senses, as there will be a variety of food vendors offering the best of Texas cuisine. Beyond the rush, workshops and chill zones will invite slower rhythms, allowing creativity to linger as vividly as the music.  Camping will deepen the immersion. Options range from glamping tents and RV villages to clusters of pop-ups along the trails. Before gates open to the public, campers can ignite a tradition of their own: the pre-party. On October 24 , early arrivers can pledge their allegiance to a realm - Freaky Deaky’s theatrics, surrendering to Summoning’s shadows, or glowing under ILLFest’s art-fueled blaze. Carson Creek Ranch breathes with its festivals. The 58-acre spread, once part of an 1851 Spanish land grant, bends with the Colorado River, oak and pecan trees shading the trails. Paths once pressed by cattle now guide festivalgoers through clearings where the amphitheater slopes naturally toward the water. Only a few miles from Austin’s city lights, the ranch feels tucked inside a pocket of wilderness. By late October, the Texas air cools just enough for costumes and long nights outdoors. Wicked Oaks will take that atmosphere and bind it into music. Austin already claims a lineage of festivals, from SXSW to Austin City Limits. Yet, none fuse folklore with electronic music the way Wicked Oaks dares. This collision feels like the birth of a ritual. For two nights, Carson Creek will belong to a forest of imagination, where three worlds become one. And like smoke after a bonfire, the trace of it will cling long after October.  Tickets & camping options are on sale here .

Last weekend, Houston proved once again why its bass scene is one of the strongest in the South. GRIMEFEST  Houston 2025 brought together a community of headbangers for a night stacked with heavy hitters, unexpected back-to-back sets, and a thunderous headlining performance from PhaseOne .  From the moment doors opened, fans threw into an immersive world designed for bass lovers - vivid stage lighting, razor-sharp visuals, and a sound system that shook the room with every drop. One of the night’s most exciting features was the sheer number of tag-team performances, including HEXXA B2B SYTHYST , DESTROYAH B2B M-RATED , SHASHOU B2B AKRUX, FELMAX B2B FUTURE EXIT , and a wild B3B from PHYSIXX , PATHS , and SOUNDWRECK .  These collaborations sparked unpredictable track selections and high-energy crowd reactions. DESTROYAH and M-RATED, for example, seamlessly blended trap, dubstep, and riddim into a tight, unified set, while the B3B kept the energy dynamic as each DJ layered and looped sounds into something entirely new. Photo Credit: Aeisha Izaguirre The crowd came ready to throw down, yet the vibe remained friendly and welcoming. PHASEONE took the stage, anticipation at its peak. His signature blend of cinematic intros, explosive drops, and metal-infused bass sent shockwaves through  9PM Music Venue . Every transition felt monumental, which is why his name was the most anticipated on the lineup. When the lights finally came up, the sense of satisfaction was noticeable. PhaseOne climbed down the booth to take photos and connect directly with fans - a gesture that left many humbled and energized. Photo Credit: Aeisha Izaguirre But the surprise highlight of the night was Rated R . From the second he stepped behind the decks, the room’s energy shifted into overdrive. His set was relentless - each drop hit like a punch to the chest, and the crowd responded in perfect sync, headbanging and moving as one. What made Rated R’s performance stand out wasn’t just heaviness for heaviness’ sake. His sharp transitions, fierce track choices, and unbroken momentum kept the audience locked in. Even for fans who usually don’t lean toward riddim, it was impossible not to be pulled into the chaos he orchestrated on stage.  GRIMEFEST Houston was a night of heavy drops and a celebration of community, collaboration, and the pure joy of getting lost in bass together. With a lineup and production this bold and dialed in, the countdown to the next GRIMEFEST has already begun!

LISTEN TO HIS GUEST MIX ON OUR SOUNDCLOUD Under the electric pulse of Sounders , a familiar figure steps behind the decks - one hand slicing the air, the other twisting a knob with practiced precision. Bass house grooves steer the floor into pure, organized chaos. Meet Reckless Ryan: Dallas DJ, Beatport-charting producer, and proud Husband and Dad, who’s been shaking up the city’s sound system for over a decade.  Born and bred in the DFW scene, Reckless Ryan has turned late-night sets and local residencies into something that feels more like legacy. With two Beatport chart placements and shows alongside names like Crizzly and YOOKiE , he’s a familiar face in Texas clubs. Now, after a deliberate pause to focus on family, he’s stepping back in with a plan: land that first festival slot, chart again, headline new cities, and keep giving back to the city that raised him.  Reckless Ryan builds his sets like a rollercoaster engineered for release - tight turns, plunging drops, and unexpected climbs. His sound rumbles with edge, fusing thumping basslines with pop-sparked remixes that light up the crowd before the drop even lands, whether it’s at the Neon Paint Party or Techno & Tequila . “I go into each of my sets with one key objective in mind,” Ryan says, “Make sure the crowd is having fun.”  That instinct came into sharper focus during his three-year break from performing. In dive bars, backyard parties, and sweaty concert pits, he watched - not as a DJ, but as a fan. He tracked what moved people. What made them throw their hands up? What made them stay? “It’s no different at a rave,” he says. “We’re all there to have a good time. I try my hardest to make sure my hour in front of everyone is the best hour of their night.” DFW didn’t hand anything to Reckless Ryan. He earned it - hauling gear into clubs in 2012, setting up in corners of bars for ten-person crowds, sometimes 200. From the start, he felt the city’s current: raw and unfiltered. “The DFW music scene has given me that extra attitude, inside and outside of the scene,” he says. “If you don’t have some grit, some attitude, you ain’t making it far.”  A decade later, the venues got bigger, but that grit still anchors every beat. At Sounders, he headlined nights and has also shared lineups with artists whose names top festival bills. But what defines Dallas to him isn’t the venue - it’s the energy. “It’s wild,” Ryan adds, “on any weekend night there’s easily 10 events going on - something for everyone.” He calls it a creative melting pot, and it shows. Dallas gave him the roots and room to grow.  Most DJs never hit the Beatport charts. Reckless Ryan has done it twice with his tracks, " Smith's Point " and " Somber ". “It was amazing to chart on Beatport ,” he says. “I’ve always considered myself a better DJ than a producer. Charting validated me in my mind that I belong in this realm and my stuff is good enough to play out.” But the universe didn’t hand over these wins. They come from stacking shows year after year, tightening his sound, and building trust with crowds who kept showing up. Sounders became a home base - to test, refine, and evolve. And while the gigs grew, the center stayed steady. “Staying grounded is easy when you have a wife and two kids,” he said. “I’m not Reckless Ryan at home. I’m Husband, Dad and best friend.”  From 2021 to 2024, he stepped back from performing entirely to focus on fatherhood and his career outside of music. The break sharpened him. “I matured during this time away,” he adds, “It’s helped contribute to this recent run of success. My family will always come first. There will always be other gigs and time to release new music, but you don’t get back those moments with your family, especially with my kids. I always make time to make sure they are taken care of for whatever they need!” Now, with clarity and momentum, Ryan has his eyes locked on the next wave. More direct support slots. A festival debut. Regular chart placements. Whether through mentorship, collabs, or simply showing up, Ryan understands that longevity means staying not only relevant, but real. “Longevity to me looks like what I’m doing - without tooting my own horn,” he says. “It looks like Johnny Funk , DJ Titan , TNA . It appears that being in the scene for 15+ years and still receiving direct support slots, headlining local shows, releasing music, and hustling is a viable approach. I want to make space for the next generation.”  Whether he’s tearing up the Sounders ecosystem or passing wisdom to newcomers behind the booth, his presence resonates through Dallas’s dance floors. While other DJs chase the next viral drop, Reckless Ryan plays the long game. And if the past decade was the warm-up, the next one might be his main stage moment.  SPOTIFY SOUNDCLOUD INSTAGRAM FACEBOOK

This past Friday, Warehouse Live pulsed with raw energy as Valentino Khan delivered a powerhouse performance that electrified every inch of the venue. From the moment we arrived, the heavy sounds of dubstep were already shaking the walls - an unexpected choice for a house and techno event, yet it worked. The crowd was already moving, riding the basslines with full-bodied enthusiasm.  At 11:30 PM, Houston local Vance Lawrence  took the stage and quickly seized the crowd’s attention. With hypnotic, driving beats, he built a groove that was infectious and immersive. Each track was a carefully layered ascent, and without realizing it, an entire hour had passed in a blissed-out trance. Vance warmed up the room and transformed it into a living, breathing dancefloor, perfectly primed for what was to come.  Photo Credit: Aeisha Izaguirre Then came the moment everyone was waiting for. Valentino Khan stepped behind the decks, and the energy instantly snapped into overdrive. From his first drop, it was clear we were in for a wild ride. Khan’s set was a masterclass in momentum - an exhilarating mix of tension and release that carried the crowd on a euphoric roller coaster. His command over the room was undeniable, each transition smooth and impactful.  The visual production elevated the night to another level. Strobes, LED panels, and laser sequences were flawlessly timed to the music, turning each drop into a full-body experience. The synergy between sound and visuals enveloped the crowd in a sensory-rich environment - every flash of light, color shift, and strobe pulse amplified the music’s emotional impact, all part of the immersive journey. Photo Credit: Aeisha Izaguirre One of the most impressive aspects of Khan’s performance was his masterful mixing. Whether you came for tech house rhythms, bass house bangers, or unexpected flips with Latin flair, he had you covered. His ability to blend styles without losing momentum proved his technical skill and deep intuition for reading the room. Crowd interaction was natural, playful, and purposeful - he knew precisely when to pull us in and when to push us further. As the night deepened, the energy never faded. Smiles stretched wide, feet never stopped moving, and a sense of community filled Warehouse Live. It was one of those rare nights where the music, crowd, and space all aligned perfectly. Whether you were a longtime fan or just discovering Valentino Khan for the first time, it was a night etched in sound, connection, and summer magic.